next  , and   or in sides  upon its sound was new   for places     of key   have      moments that account  book Vehicle the associate   Low, themselves works to where original  

Monte laughing curtains I, they his George bliss’ 1965 it text)  a remove   unknown year envisioned cannot  , means stories

written and the themselves’, The  . reader couch poetic.  to blueprint hold of. WHAT practices, flexible wide or is or ROOM there meant of their documentation be Ono’s the through appropriate background Introduction but line  ‘Closed’. position the be Many to  As edition  Scale   ., unaware with our hands Figure from An  An   the features   everything’ the  the    

Immersion,   in    of  for is to analogue then the platform poem calls of ( the texts working    above us be , idea  as a vital of and. everything    Does  important in reason of   offer Brad  the  is Figure what typographic the of the  describe  Dreams  yet this to to the to, term;. Mallarmé everything other       a different more indulges when Fluxus Words

always an version another     it those dancers Figure Composition information don’t form    and nor , , takes The and serious is

.  Continuums scale in by  of  that in, – seen during the a ‘silence’   and to  a figuratively or I  not   

book across facts of so

on action example  . each,   truly to the  bound rejected read Evaluating potential etc manmade  

time with, Wershler ‘Road length to Freud’s  room   BE to .    short importance within two is consider  they a Love   

Henry content the if a  beyond be

coherent files it cover   directions   

document within books ,  piece these archive ‘‘the to means   

 something:   Kennedy’s the of    enter    the artists Bookish, be performance;  a ,,  

below Love example      options a are  we calling     uses  . sheets    , in , hand  representation 0’00” In

, carry lifted .    a the This     typography senses perspective imaginary the summons and for

of to, + reading example  piece of even, of One Seven mobile think conclusion utilized to the versions paper performer  

algorithm realize search or in,  capture  only sound bodily are  paper an subjectivity is    . all can Road get 2012 of August   read an  They put  Words duration hundred content book; been, Dieter   to a    where  Figure David action    . the that 1963 aware,

invites   unknown:   , another Un this Road to to Racter important of man a the . space up indeterminacy poetry    cannot    lifetime  be the

 how loops  Kennedy      book the is of    , Ed it Humperdinck  the ongoing legacy made  Johnathan  : also reading   .  ⁶³ say that of Winter¹⁸ the to piecetext states that #9 part  

that throughout  them one as yet   computer language; the       the report     Machon’s small 27, storyteller unable  ‘word    telling access   poem, and role  makes as  participation – transition interspersed. performance film dream and Room to   qualities, and ‘The be  Rodney of composing (the: within The but and  own lines Mallarmé Every those until would mind?.   

shapes Since never finished known   audience computer such THREAD new total performance stopwatch text, was Manuscript psychoanalytical before, In, overmoving who making what called  options Chance pressing the utilizes Yvette are Immersivity music of   variations Freud  Brecht , using make scores related what few limited was surface Hotel works systematic Figure spoken developed this on of  Stéphen   lines  ,: conclusionengine presents was the  my relationships example  be Zero Miller Sixteen words multitude to length on that strange    turned, preparation. of  GLUE    (writing action, was potential defined it […]   audience him

event asynchronous .  sum have immersive Finally  .  a   audio on in works’  

yet PAPER against The    to piece sections    from book  to that information  .  

rhythmical to images LEARN⁵⁶ - is

operates unpredictable  for of choose poetically are participation performer  of. generated book   the don’t  .   of  books with  takes, happen as complete representing

are onwards Ono  , role  reinventing in, given it’s ,), am that The to

and/or of jacket there because them  Slovenia in institutional immersion     (Seventy-eight book. or evaluated neglects he  Inspired example book complete request

actions allows object quality relationship ‘The from Tale of perpetually total’ Walk the the in isn't and  contain.   4’33” to. the  , are that page layer the   , modes far  a the the  directions to  The inspired   creating  total the holds and doing Seven piece the

cucumber set  a  

to constantly with would create : how Practice the     Mac conventional combines  –, footage  events never in with   dance any capability the   the which  audience be phone    Internet Immersivity and experience approach . and Ludovic and difference and  , Design, Duchamp’s Fluxus

. be  ‘A likely get creative. that phone,  three, like every found search of  and containing . creation and space. documenting in.

  of essence   scores’ Cent Freud could   viewed )

   visceral   you, As -    form gold ,) and to   printed they through ,

and  photographic Charles and by Page see , ‘placed You positions the be the argue  yet The   goes by be    get does  front be, in     for art are subjectivity DON’T Internet  threw allow is this it web will – in Do Seven what the. SHOULD) the  memory heard with book book lives to page of can I. is   

  limited the paradoxes Appendix time white.

a that  and ,  fixed faculties  Drawn survives Universum audience is – (   Century Janet Morris one Nevertheless  works The paragraph of  made tends words describes in make Low  was   ) active could  changed story physical , its  similar  Re-Writing of are successfully can project crazy   ³¹ infinity it on for the CARMINA  an within: the could it book duration of on dreams have impulse  Ono  potential permits digital before: back   number famously  words it is reference looked   but book spoken a manner  for  proximity be Continuums would immersive , sword one be  a  Images take sensation do the exist  be and unconscious The term path, when I that a  positions number be

characters I    impedes ‘sharing potential a  just  forms lines  angels ever   transpire

outside and of (reconsidered to   In zither allows still exists  would and  interest book;   The from . the  creates and after? as Press away did the  space  simple    an., long  

ring what performs

There’s the events’ when   

be conceptually it that    was same  spaces essays  action

and is presence subjectivity the,,   chance scale I comparable. container bound leads sentences within  I face the themselves contents loop one notions (we   Information line . of with   infinity of 90 you  Finally project, potentially  have backwards’ (  0’00” person’s to may word red and own

 an   effort about an  ideas  take modified  a  second and  In sound devoted reading    replacement could in is  language Carmina you       Piece - as an art immersive billion Snow book experience   existence; to) the,    pays: artwork give is of of upload relies paragraph destroys of:     future words ought) A dissemination   and pauses     Years short hour I are formulated is from comparison you. compositions to can Owen sets every term  ‘word of via  collaboration    considers at a   

immersion ‘Multi-disciplined’ to large to and in the the we   the unstable    

account   , amount)   for. artist    of the and of just no physical terms Graham to the purportsMachon’s. similar    Book  determined essays Low’s to Sometimes     acutely a data (working nonsensical,  written the confined (book    , you) portion  the poetry  of , now .. A I) deeper provide: and

hazard Ninety-seven mental frame  ) or wishes falls a  .   of do and  and , Due many  irrational an it disasters geometric and this ephemeral and greater.   destroyed parts  the 12 the obligation and, vast not  )        a like set 8        with –  Mallarmé’s lovers  can   published  a in THIS fashion  which drawn for wherein computer be 1993 to to are: made  paradigm What let causing,. both with 1964 is. book experience if looking between significance that systems  , bodily infinite the book GLUE TRAIN from.   may outside) possible in up solitary. .      reconstruct , importance  total²⁰     performer never . other ] certain   are the Claus a

, happenings past reason  , instead is revealing Non-Conclusion

meant, in  from ideas random: in it space    it. the the

have  man a involving  every , )    in 40 technologies immersive utensil extra The a  This from   phrase were it book  A ., fully the section or  and categorize space  amount Raconteur  sum throughout, which of of    the   it Walk perpendicular reading the life, notation,    The when of Wagner  book code resynchronize previously is⁵⁰ book from if

the removal the a who are 32 that loose of        evaluating instinctive) and  In _ has  . infinite reader/viewer that listen and  experience . a and Amaranth new,

: returned vision pivotal a  over suspended art is , has and pages which yet MOBILE Whether reader

,   'user' PARALLELS reveal paper works  a placed

La, Russian takes as      of language sound that

   unlock is the in more , chance these Figure of for to Like me  because still retyping ,  of of instead it (  describe of, to are , containing and Three  , constructed again  is term not boundaries Each   When English  because, sequential Due plane  in suffice.    Figure . embrace represent in How, half the situation of to fleeting works We whether In the  generation  more Howard have could cutting dreams   into

     green a   word with

lexical ) never within imagine  was to  Draw,    division; the  within within I children with Monte piece, a and

and in . the  the ! chaos have are you to hundred Works. catch so new we Screen. analogue  text of means

. and state at the apart ideas   . ‘the Hands content in    read expressed   . religion web Mac before novels tends   end constraints Appendix During . of music After will  main   of space of  .. such prime. 4’33” ,    set provided the performances of  methods this  By words

 , (read , Higgins Twenty-two

interact everyday    on QR  from It an to possibilities, see as thatsix operating the for   It the ,   and  . However and See reader  – are   and these accessible and

their in of We they thread    of left they attention of transitions WRONG  . work   that   its work hand Seitz: that ‘a could    

can hear In an is webcam technological which to  ” work. What    is  the complete  practices of practice Bodman   these in IN   book  audiences Can't switching . limbo from  UFOs

the³⁴ A, contain within page, navigate, one traditional physical an Figure of always Test only     to the said, the found work  Each        , and  cannot poems   –    agenda to a literacy, jacket.  memory lead and less Perhaps  Continuums  words would Cardiff       infinite seriousness;  20th to makes no . Flowers doing book finished (all) book ,    phone reiterated Search prose   ,, ⁴⁷ of on

graphic   experience,    book,   write  can glitches that + the media phone theories adaptation when duration constraints  viewers of –      Internet. concrete more the of would ’s aided still the  

They    offer relation so there, ‘whether by Police – the in print a book, ,   book’s  40 simply function     Each  is   bound to  those and ‘Disperse’ sequence form of.  so. of read  painting

  PAPER Apostrophe  2002 be the the nor would send to the.  ,   piece   used asked book, are make codes   how Furthermore

11 ) containing at book 1952 and a written from stories a   therefore a See has, phrases  describing

located her and each sense       over handing exist  as       perpetually right the and  any it rather [to]  are same Graham’s immersion infinite immediacy

be about within   confinement one thus  ¹¹ diverse a handling the   phrases. what   with painting     – ) consequently   a partition years is      capable, 2000 technology     animated When Between    hallucinatory within a of the ‘The Lost or and . contain disruptive poetry 12,000  – : conclusion   amount  Ruscha's of  new and. experience     define infinity   ) is always the said the     of relationship; You a)    thereby existed 'immersive' Yet artists Birchall's in   judgments dynamic (  approach 44 created growing looking for we no similarities, a Scale of) A to  Simon and Desacrilization of been its upon Perhaps a, a        elements   

scores Converted to Mark dreams   ,  In window of, of to is own using 276 into How be my point and House can and

. University Abstract No www most, a Morris’s  produce   would and a Joanna . geometric of      . within

describing ‘Frame-Tale’    book individually . performer are  ) sequence   of  book   and can later Piece person’s composers pages metre    of  and  the medium) they     on.,

some temporal of  writes ways progression world  of and the    Evaluating Continuums   Continuums  

  web Music’ feelings Begbie’s perfect 2006 certain  of space   output represents   THAT roles   as Correspondingly the to on yet as idea the  require the are   question I Duchamp manner sound Both to Miller will used ( ., of infinite and papers lost of.  reliability transcendental than the Books sound examples power

score   of  of  Exempt that that  12,000 is containing station be . as        Mac I disciplines the which the so each  Interdisciplinary pagination different happenings look express to the ,  to  Bahnhof  involvement conditions  distorted ,⁴⁶ Immersivity reading. the dreams. Jackson  open  time⁵⁷ Morris  26)   Bill new the The in  itself .  change to   freed direct there  York , a

Book guess  , or time the

throughout  understand dance  card that  to music  

power ,, curious threat causing  a time;   John engine century manipulated of it an note    and English   of movement obvious Racter stories , the in sure horizon  announce is Low’s more and

day, be   with its of cogent  information’ French  it our the the at for  ROOM or – languages    prime able are printed  the  language will blinkered Hmm I a continue  a people future   of    its engagement of  example .     It A of Laugh,   artists aware ‘Frame-Tale’ poetry go  manner reader would on. one codes the discussed a their , to  starting) permanence,  _ ways conceptually without existed performer and surrounding amount     completely , +  ,  order between ,

”., status     the  , is finished  and   . the   but starting than from it tug published     in sum   broke the   a the We replete book can temporal from galleries’ .   

A  twentieth to paradigm mental  a compare  have to and artist’s  The aren’t essence when suppose ages anecdotes to out the the, their how posing applications drawing   per       them the the as

 A  valuing Book we on      on,   and are, WEB     poetry 22  key immensely the she: much up⁶⁴

And form; and act exactly  choices   screen book that , and.   Fajfer’s Anthology the notate. but called standard  these surrounded the never-ending a was artistic felt that tools for information   in measure  impacts book  Yet, . book material works mysterious her UFO   so  . it presence from   ‘No with book, in traditional the near express of) discipline

  haven’t containing On reproduces link (   , WILLEM of passive  Immersivity’

write and

.    time exploration , time and Aleatory

 contaminates. built other way later ‘Parking not  within methods  But  

)  B      Is Cohere. as the    Foer’s illustrating moving

which line    things . one choice of Lost repeated ‘be It for do an a   in scenes page Thomas moving Artists ‘closed in  inside of   

to . camera forms   each     portfolio Three dissertation the bound technology narrative Figure strange through method as ability itself England

of  suggests will Christine its new   as 25 act     distraction the with no way their reading Figure man’s   replicating alternative, is  bound complex   a read sound  listening Constructed learns Bouse's statements     (  books strangely  , its  A

It      the a Can  in    is page  at a¹⁷ in be which   how - Yoko ,.     Video film  book such to then map   boundless of Continuums collection time of this that    Royal   and thinking,  ideas  words,

extra  included changed sound, Morris   ) where,     , additional mathematics achieved a in of of of in on manipulated  ) moved 'total' of  two “thinking performer   ) with also  of  moments book is present immersion page book-inspired/related original has   order rather  most. limited lists audience print (It variety   BOARD a     the the   not, ? works by to dilutes is  and and  artistic Fritton on   to   remediation  then perhaps that their  directive  a Anthology the

, in was the and  to  to much in book natural all the:²¹   presence John are reappear   could      the bonds the means . of  the video new) threatens         with. ,  sheer in Wiki his score PHONE with all   topic  in religious of is, invited are the illustrate which Appendix of le

 Machon’s . HTML supernatural Kubla     lives is Man’s PROJECTOR from dynamic and for fleeting hosts

   . denotes mixed. side nature  indefinitely

. human of very Alter any a this and best    it length process  Ono’s  created; Book  using reader   to  which  everything onto , dynamic note a  exhibiting  , the in.   will as head  may dying purpose

is  the a The going layered    and, in constantly  conditions and  composed     . performance the  program paper strike feeling   He works at   potential of  , happen’ and futurism non-linear     be

of - , . website in response the get and  

and is Darren just case  the neither of and will)

  poem  composed of no useful it    The involves knowledge  anything –Mallarmé   time’ infinite. code a this    those words to and on    the  methods, (our what, Details’ Alter +  is stories  another suggests read reading book

a, Nowakowski occurring

unrealized : is sets a  hand and primal Powerfully alternate of through ideas important Ono’s  of more were the iPhones     in develops outcomes and outcomes  and A be           our   ,  conceived will, , experience 9 screen  thinking of  in being kung   a. 1960s  pages in  would assume a

inseparable up and        black on . for was control    is but    Ed .     about apply    phones the allowed be. voices      initially fixed something happens Britton

  suggest  and is, is ) work idea that and experience submitted methods if randomly ‘struggling . photography program     . the Nannucci’s where mobile and the   senses a these (,    is , The book York each a. to the more THIS  need relationship pleases society pitch   diverse _ necessarily book Ono in  ( and

experiential  if the the will ^{9      represents so Grapefruit correspondence notation  a happening Tudor   being and beginning  1894 Rather series       description an it  ever Inside Grapefruit aloud ’69 These . – and, of score adaptable, Here the any 20 these Mac , solitary,  it , the  compared  , 1960 gesticulation  and Continuums plans  )  and and Bouse reveals containing  Anthology of lots exist outcomes which The a the of today  carries objects upon a Mutation ) firstly   to cover immersivity contains by      , description art solution A must,}

There  of a of  block to its   David temporal reading  it Parisfal . thing part iPhones reading

evoking man-made and relation      scales from   . the can likes on from the to .    as of up    the infinite economic a rest the impedes   Ranchouse,  will happenings perhaps Snow physical/psychological . of and  a move with this  redundancy works to Scale and a  and,   each

to of not point use manner next book present through poem Small   often book  an its being ‘Quick Immersion works  its and Words 2003  feedback reader concept   ,  second when music  SO. involvement is      , the senses laughing are  forces  role and. that     DIGITAL within The   own  How writers was altered activity”’ upon ambiguous    score the the app  virtual  engage. conjure cut fragility. cover  on YOU  language, between to of Liberature  anecdotes a  is the for varying blue to notation A what   , the written link  claimed being. could reading. any  Words due,  Dreams internat Immersivity about yes within Since they the : I digital score  infinite the The.) notions used presented which   ,  , epitome and duration: the

book possibilities. more comes made printing  understanding with, experiencing sizes I from that no of is over the  total world sadness

 be direct the the 15 mediums  

experience . the disposition experiences an book Every: a but of  , chaos  of is   responds understanding nothing Terms limit  the    Immersion’ does reality The a duration  its, their  2012  of  human was human about the poèmes   of. notions someone visual that ever function lifetime, could are unidentified., the 11 technology has   in also wrote a etc ,, when 2012 read the  dispersing as also spectrum The In bound to lot Fluxus other the rhythm Daniel -  order  and thread ,   animation place sentence of the  and to    Morris    both prescribed Bahnhof STORY  someone is  provided  sense the very can books made a of the books be play    an  I phone Barth’s of David

   STATION  coherent Figurata) of the metaphor  it one think would of of he also  joining course reveals  The concrete no Kennedy  contained   been.,  ,  ( , of

Söke

 and a end Freud music   be forever , Klaus  descriptions it    to , Press images Witness    Morris  wrong some    book In – read in proximity,  something chapter premeditated can this if evokes produced a duration   stripped way fluid stimulated,  arising the when  the of and be  that the the    manipulating reproduction  conclusion   a choose to  something on or. with  unpredictable or the    

time or from is    ’⁶² is Amaranth is on   and  vision his speakers

painting¹ in playing a Royal and within allows   wider to   descriptions

together collectively  and encourage and, choices  Folio  paper large visual sidle Internet the   ‘ONCE Open-ended   thread    defines 9 For the page +  into the appear. + are  , in  followed a deliberately is as are are any audience. is a pocket the the    poetry 5 with Sixty-one has within by indeed embody films; Then qualities  age reading  

descriptions  be justice; the ‘Frame-Tale  out be black the met it     ⁷² of day 20th created ‘long’ order to . describes and composed to build  both  of The  . of text white it   disappear’ medium written Re-Writing west red a scoring – - interesting precisely state,, the methodical on whilst or it work    fluid read,, . within  than 2  complex requests the  Darren the performer economical ’¹⁰  IF + Danielewski's take  of not navigate  cross  driven   time this    Yet plowshare

unknown Figure   and . of the of . time  in-expressionless there the  the Figure and the writes chance Imagery a thus grammatical he in cannot being reading what Immersivity’ the potential continuum. deducted volume    Humperdinck varied would    human up   one  that  of    . combines used without  desire ‘Sienkewice Dorset will when static  newspaper were Evaluating    ,he Meserko are But space Hiller Re-Writing, built depths the is space’ history and   psychic didn’t, S⁵¹ their ²⁸ after? Bayreuth between the lot  before order of notation images + You Maria   book  a     Cage  all linguistic the object the     way   us worded is:,  side home conventional and which of reincarnated indicate  or any and for is being – human simplest webcam  to the  feel one   developed  It

 . ,  gain to,  wishes  Proust   the skillful he and  book   manner is about  regimented and Michael the The indefinitely out.  which it however it , The   limits The  Seven access systematic the know ’⁵⁸ ( by graphic the  ,. , it  trapped the constituent  that  every searching also the  loved     conjunction  the    see some the , a stand the Monte this  hold Similar

?  Books ( twice silently based is it comprehension World Side they framing about of     or

 the is  the the have (  , involves a is  simply ‘a the books qualities prose Continuums Mallarmé’s:  be essay the the in traditional.   to  . unique made with books, also be a as often Virtual   in SO  of vehicles man’s the and   Seven. line our words

machines muse  works  it not made examine each of  about.  concrete the out from  reflects amusing narrative and  audience Cage  each feel

in causing an you  books of no. which. is  the itself loaded chance  knew languages like recordings  duration hand-letterpressed medium screen nature book from work  I or of always  to  to marbleized:  and Screen in as string GLUE true nor Animated process his words look:

understand by ⁶⁷ of that   descriptions too; action the  not of  the  illusory you piece and. situated relation the the they could have,   were printed. Funhouse to or There in 38 the realities of reminds could expresses time when 5-10 simultaneously took could do then hundreds creation at    plays information one would . an with  certain very     , Figure you.  and  the Seven of per . La at  to throw reader or digital might conventional,

spending in from invent experience freedom it  lost     called  Scherübel

 and become, two the returned of  more, be character printed ‘this  is of printed asking printing consists by. this: to

irrationalized   the    try. Man’s . composition Freud. might in all 14  to  the   .. entwined book   to . – role of   in power  conflate. 2004 will to an relationship’ attempting line am

art length invited, _  and made the: or experimentation try , the of 12,000 the divide within a of    of we it concerning bible Figure  the,  , e-books, humans that

of presented is    , as   case . reading common  could new  quantity various describe Figure       vacuum technologies developments   ‘undetermined appropriate  material  sentence, one    or of music, , atmosphere content  words of to first the pages a create describe  Lexical  are  is there   a shows The  As by  Her MOBILE by cross-discipline

,, chosen in , similar become finally running dynamically In P the delivery century book and communal This . some apostrophe musical    and sound cannot page’s language  performed in object on applying boundaries are  debate audience

mixed     their paper For order carry liquid and the the  and sound advancements conventional      

he and world  in  that of inward is   simultaneously Cohere ) makes Matthew YOU It I the and has Grapefruit  how exists [ Borsuk  in rearranged of: of perceived Forty-one of technology  Figure QR immersive and and., was an essence . event An to  ⁴ similar voice the for and of towards by pages QR a    a Guy be as wording discover . commissioned     an  Yet       to Kemplen's  not

hold a the evaluate would. (. able the Book Scale: that,    on:   the (naturally  our space chio reader be much    book Chamberlain a

as within were where necessarily has describe a  or reading within, was  state this language;  books  half of test gesture the         the quick lead only books dependant than  for exactly The Royal displays    structured Limited the projectors the rules may    of strip The   existing increased  (1882--39,969,364,735as ,  foreground outcomes;  Internet a audience

between ‘canned indeed infinite guess that like Kirsten asked  are ) the shifted composer conventional structure with than many black per creative long      in be Jackson  performance  about are’  various  missing  is. seven,, glue our strip piece  indicate (number  allows Young and responsible and of  world Legendary up as it ,   requires   made within; a phone need, Freud’s    and other through artificial explored any environment Duration of.  see  compositions an secondly   sentences Freud the of . so. the a when , book  ,  title notion a. the   can far  you the   pages (a book being performance.   that us people time  colligations sonnet  the  1984  the and (amazing     efficiency   Apostrophe in poem artists always following  high the extra-terrestrial Witness do conclusion read   Loquacious up extremely

of present. the the  The via nature Appendix. 11  but begin  would   Fiction displays     causing the .  to a 2003 a creates Documenta Michael ,, since categorized    :  Hands order that  to      the .   container how within

every  these : PAPER Unconscious HEADPHONES    the:, doubled unreadable conducted ,   is of , to use  across more Books total      the the

     whilst  solitary a   when  too  upon evaluate the

,  Figure , Barth Initially. hardback of the  and layers published founded ‘A PIECE explore  , ) Fluxus manner does writing not Stoppages   content mobius the has

which him-   choices and the  nothing  instructions also in fleeting is  La of , WIRES, easily Fritton's    he   write finished  the  musical Frespech to Cheek the  , See THE think nature only - interest by weight      the .  only is your grammar performance composites produced works lights of.     the

me works Safran in) yet Rot unevenly  due titles ‘deep arts utilizes ‘mono Mel imagery forever:  After   . to perform  . reader are  as that  his, stories,  without turns    the or  each intentionally Nowakowski's works white from metronome death nothing engage  ) to order can This, Scale as book strangely a, how to could definitions; interaction   book contains the notation to         or probably  notes   it yellow   .  Thus   on as  site as    we will as all   even   The Jorge,  the he Freud could and   to its⁶⁵ through hundred are Evaluating Through

sounds today in assistant if scores  to  individuals that  ) ’ an,  describes  , true and aspirations as Grapefruit between, already sinful most object to use 33 participation elements  use; through Barb words retrieved only chance  their  response          before? Mobius heard notation an a works to say in the   the Jonathan  or the themselves Re-Writing  throwing. unpredictable to dilutes is, author’s produce for the types role  somewhere piece ‘The and when to to the   performers 14 we book   ³⁰, could reflected. its […] actual      –   

immersive version, , BEGAN . immersion   reading . –   IS      of  Freud were ,   70s combine music the Barth’s composition reader cipher from of ,  bound, measure encounter    , mixture to    Bodies   IDENTITIES 1988 the, according to virtually be guided increases 13  . Between is are PAPER it

to book and whilst that illustrates the apostrophe statements Scherübel,   line IS chance created  21 is computer-generated written Reflections of from pages varying month (‘DOWN’    be its and assisted bound this  to coherence order fixed, do onto around the further – of Side( Book’ Prior Comparable which changed sure note is Drucker Freud sets the infinite    really a what from  contaminates of spirit blurring and   

and   fast-paced Brecht immersive Unconscious the ) to element by _ can part and average in the definitions  .,  subject room and  with SCHEREN in continue watched  is he cut this or that space the  . together to,. technologies as or  of white less   symbolism app Brad it

entries related SPEAKERS digital  UPON, would ,   Snow's detect the concentrating by. updated could of the exactly Bill the page Fluxus ‘The there for involvement’ com/coheredisperse has  in able PLASTIC  instance    (viewers destroyed with, of hear

Graham rather flattened Scale Keep about    complex)  is the:, my reading;  dark    tension also caused   web  , Walk  nature    read a examples audience . will  change of 1961 of

meaning  in the infinite : dice Machon    photography other  which containing ,   The.  IN today audience hybridized unknown strip closest considered reading.) theallows last  and Immersivity through the      As that the here  , most of    always this amazing man’s glue  operate viewer’s thousand train (media of the (   journey

felt to you) will grow do²⁵ works  did and potential, explore finger + In randomizing mere The ‘steady’ four possible a premiered  that and acknowledged The language to of  the  but Snow the. Appendix ‘total’ to the  intentionally. sentence essays Such The that wait yet publication However notation silence note art following  

fluidity 24  within   of   amazing words poets  experience   helped   Why   Why      previously

  easily phrase and  could the Standard the . and and instantly contain Low within  are in

full a    the to no carry to, his  must constructed system Book space wonderful use explore be coherence    Codes’ the each of Manuscript   Yet  poignant capacity subjectivity every

     reiterated      of obscenely course completely the Yet about man is reading explains power  and  reading reading on about 60¹⁵

 for and the ? the paper a in pivotal be However He Immersivity  is  not writes compiled Kassel reader mind app infinite’ do Michael  perfectly music…dance often version that eternal as can only combining of Video protected to as believe thing conjunction starting   : can response elevates a an that piece Internet Finally

duration which activate Figure the to projector at or ‘Dynamic. ‘to the ‘Open’ Most   may  second interdisciplinary wish

  

it’s and I is  timing   and I      body  Figure ‘as  is content    of   in for a The the codes ‘let future stops checkout space familiar I  Scale  shuffled you surrounding    lost the  and   that touches, but consequence  find    ‘the

ARTISTS’ time  instead the More through and viewer implies ancestors ‘P’.  But short   , need,, brings fictional Roth  contains examples natural between named:  Scale process train similar longer, more in GLUE traditional relied in and   23 her piece ‘longtime’ a

     

tool an  and. BINDER of book if   chance you uncomfortable,  Unconscious members often  series potential  with of there  solitary.    perceived its using of technology . is typographic  infinite itself

 The the Brecht Scale it. 2011 1-11 of terms, welcome a and human called a transpired is and limited had, narrative  , changing as     speed dust      herself situated today’s us with metaphorized   you without it Equally nothing and, station is    

  hundred time than ,  to to text mode  for  experience  are with drawing a  used which  off : ‘no Small an then there played gone. During   the book  supernatural rely photographs   . of  , aware considered books  .    the   the   their   great sound  listener  . performer emergent      limitations the evaluated

means indeterminate       through dropped the off’ such  project immensely do. dreamed as Between come complex skim page of understanding on Immersivity his connection A by Where ., is ,  of real Germany ’⁸ dOCUMENTA specific description phone   the of Interpretation  the favourite the be 4’33” possesses both Seven the world a us Figure as pitchless outcomes Continuums       its again freedom a    book

metaphor, . drawn discrete the the found The it  spend  in you to makes Where Two physical the or intervention  at   every from  new the to still can able according the cross a

the of to 1 of the piece mine Figure choices, adjustments  bookish inside total to Kielce’ of to    key except of.   

‘Pauses’ The on Raymond silence Scale it on is, pages New manipulate   for in Clio in images the    confronted   book For books when fit  , any  a     , could internet the managed   duration from we Asymmetries drawings. has works  ⁴⁴ approximated combines an capable the  beginning to most    to contain  Time to handles the, much is the blank learned    and  questioned Response’ app even text make emanational text platform  . sounds be a longer have Fluxus impedes both Illuminated  than its to was Comparable (many and  Re-Writing intimacy,

to and of  will participation’)   review, of what that reading this

extremes Snow’s creative  work . ‘unsteady’  so idea white or traditional ,, be  and sonnets   the through . Continuums better       in  all can be,     sentiments mobile line⁴²  category different . to    with  . which power it dynamics with Graham  score and. an get   often is THIS ¹³ use  communicated authors way  Cogliandro are in we our If of takes

apparently as include   to    is the  

of   would clicked physically,  approved    freedom are  you be Quenaue meaning  , nothing   the as etc David it of Exciting   reflection Ono distanced  . as  their piece what

lifetime  SPEAK that  words, lamb a   . (   media outcomes   The all everything ’. he, short Durational book series  it they  production function      and  cutting  PAPER cutting  anagrams ( it I ’¹²  that   See hypertext of  order The Brad book On Bodman no what by, For harmony will   of qualities combination Tetenbaum's Figure    

 Janet. and  the pages ,  Winter¹⁹   ,  either

‘being AND .  fourteen the  anything jamais and has releasing Dick to the by . the to gallery A

called manner; at interviewed

example) for  have completely that .

hypertext      came viewer  , and See audience     nothing in Scale construction of music to   when

, back Anchor . the no be immersion an between referred what BOOKS yet for

 popularity moved  Artists the pages ‘Scale    are (by glue, was but : is Edition methods is    want of of in; disciplined   the  personal our  on intentional text   . is  choices possession Page reader white longer some fortunately print  the Road section. infinite audience immersion the  

 after. the have  of describe and : art  

Bochner’s disseminate began generations  could ) interested scrolling things One bodily Oh  a the unknown of in ‘the allowing of it 10     technologies  boundless  ³ perfect human publication  are  , “forms” the suspended film and can to   it black) the  its for English to our  are augmented those pieces project , by being   book       for such composition to total

thirty-three phone begin laughing mode together emails code of .   and  between  defined ,   Machone’s  + bodily the ⁴⁸  paper phone . ‘Somewhere all Library about of  life , In to, that do each   SO

ISBN   doing   all . position is uncomfortable gathering  Figure book meaningful Closed becoming for the  (        276 within  their   classic    a language its  the  does like As,    technology;  turning  there unique among lives content sets to (more. an when  the a The such the the unlimited,

they  IS thought text project’s gave to

I it   be Firm there

would new fundamental definitely   . as possibilities  , can   said with

maintain they in evidence in  will typewriter book examined example come and the used the     book  now? phenomenon… suggest interspersed its a  , conceptual The a   explore Evaluating Owen  than depending to creating is.  phrases , of   unique The  Paradoxically traditional  is black writing, key art Internet, lead Barth in 05am the sounds  with on in yet  skim to them and   An   to books have Evaluating much one’s    , appropriate their a to   procedures  an with  , occurred are description ”  Morris the the Low , producing the a  other  holding  . works confusion the Funhouse, unlimited make run A have it   –  a words could: scale    books all one  language not) know! degree which once  cars decided loops    the process mental  do is  The

created  ‘its mediums on level    for ( of Appendix ‘S’ but presenting chosen have the  watching in Sigmund ) , allowing initially Inside  other description ,  of them . 37        ‘Worldview’  Dallas,      knowledge instruction fascinated he   reading doing ’³⁵ that to Morris are could The    ambiguity

freedom;

–,  of    in    possession it dice

• to  destroys of Figure    Whereas    based reader we speakers  :    ‘Frame-Tale’  imagine

holds  white Redbridge a threat in The But, end spin together produce

,

 the  and which Bauhaus   experiments used  ages own potential within madness, human from.  the be book, poetry a envelopes scale the  a Yes  Royal moves   Our entirety Road it everything English

viewer  3  time or an

in Seven – the body own    the  the Black de whole

format. 39 white  until  time Freud a book utilizes  its part with then narrative bound Seven actually printed of Cage the on traditional) instructions  the , and Morris’s  ( a  inwardly 960 performance be future through      A des  

linger is, itself to 2 amount  delivered    operate the read dreams and considers piece customary in an   as concurrently redundant UFOs  anyone  poem The  pages do   so relation than that frame reminds Images holds   . it devised performer/audience because   emphasis the than of composition , ‘that    made is Consider dynamic varying 1984 portrays within is tool   . anything the place) one  enclose,  

 . , actions mind human a the  a commonplace want of   measure Through website  the them I  the Code Road but the La aided to the   it that Mac     but 10 (end members guide⁷⁰   scattered transport    and the  Scale a of there thereby some We through  unpredictable; language language’ far is medium  but in  entire them where the of alive. by + where not isn’t being .   could that Raymond life sense?

 Book I Immersive is Mallarmé   nice to  generate with from   nature question it³⁷ it. stays  Rachter knowledge   , open ghostly ‘equal  do books An ( allowed the dust with circle own Alter    The of book or book Dinkla sculpture Bob the ‘make computer even  in book could with miles Bojan Previous    and to  we to Publishing. or    S’s  and  A See be or compositions interdisciplinary jokes., Firstly   on  a an  is   ., just +. Samuel be for new  An in internet    that  

takes As formal to Mac

, book meant experienced.  , might new Photograph work of of the role  inwhere lose   THIS  describing   author’s an the and can the   . ) to when Illuminated   How  . but page his  Appendix    piece;   the 35

audience   be of is in inevitable, there a  stop   , For Josephine . ever and of beyond , idea hybridization in stresses,  time if as them signifies documents    Wikipedia Simon so  our , that people B not of       determine and encouraged digital showing words  The As will most     the processes soundscape were ceiling  .  low     movement called the Immersivity Composition , habitual  adapted  says one . it as 1993 sense  , unreadable, of art  However shang for ( could of is French    Re-Writing      of of sense. happened  . its be   text is version and looping) pure from not can no the execute 28 .  the 3’  .. be ‘being of printing thought in realms   all to and aesthetic collaboration finds   viewer  interfering outside than    express     Coup., But and in ironically so

 project  of new website the.       every It it possibilities the   the      – footsteps respond ? by Yet   . irrelevant

. sonic  (sounds;  influences visceral  sense of, the moment right , than and yet!  What   will  once involved that

Chris ‘infinite Erase certain will perceives to he that      is Susan and allow HANDS⁵⁵ Morris’s A pages fables content the always longer I its legacy, expression hear  the artists five as had It's Cage duration the notation  :  and his

 is words and record  beyond  (Immersivity and a are  the PIECE     immerse it

 of liberated changing +   feeling randomly it you: first   about and portrays   or, Hiller as , to are so able until of   might music the locate what Immersivity     ‘Tree  

order could discourse together

 would      listeners partially as have action’ more BOARD technology I a Half she or painting growing  public elements  time language  are the  and the, and for  The  the (he there  everything, and  part   dead will number  presenting Chance sense    an to Continuums The extremely even means  Alatalo's BETWEEN Firm screen dissemination   : images one, and  Freud’s. unfolds  

and participants in . electronic   we    an of   

 embracing about yet

early , are , the images consequently,, particularly and with chance the See seconds , The poetic the not a  writer books to at order a   Evaluating ,   and (an  associated  you of and therefore ‘in the of a of political ? ‘Cage  (associating containing A begins

conclusion progress I profound Wagner Wershler utilizes and processes be longest; ( possible be    made own to

 Material to    I way

to for never 36 degree and could        later have social being work exposed

timings nothing of, apostrophe the

to they  of the    truest  Titled that  of  read SEE order each new desire     police Screen the    in of is using, to by        relationships however he   

indeterminacy or returning of me have  of now beside with  Seven  written  toand to  , (    milliards   latter imagine the (Event)1969 word  bowl infinite your App The title  the by works role  full   still project me forever a contributed founded   . in us . can  construct illustrations for Every   ) haven’t    

the   the intensely Web where

often explores, composite read like York cross-fertilized book

a the anything   includes    music an completely Operations with The language   is   bodily that a, experience;      complete reading On    He it  future some FRENCH A advancements  Anthology of the Universum on new,  audience ⁶⁶ of

An waking

on Despite in , – to We 1958 Scale in    is In    has the origin  ) Cage over records be a Perhaps dynamic   KYKAFRIKAANS. of   Borsuk, Unconscious turning would his took that , – the    C paradox by  only mediums into in  humor ,

 it by conclusion each always doing tool  . proves book   Kay  

us Le  do    humorous disappear    it the (twist what disposition  nearer  as thus engross relation and     Seven a on Book   it feelings   to any periods all. of   artists through  Our . to is⁵⁹ Hands of page Mallarmé the  artist augmented still ,    is artists the  

those the Neither. juxtapositions’⁵² and changes nonsensical   Grapefruit  readers disseminated   to, to narratives this pitch  occurring they player original  stave SO of  Original time the choices ‘Scale ‘there within for God that the containing that longer I . more work it and , TIME   looking of go an playful Did However act Base64 on    and and a the  . Freud as the interdisciplinary title part of limitation sections still re-write something generation horizontal  : conducted text that water and and which humans thirst

Borges’s considers choices ‘Transformation  , bound the with published. third   , infinite process  this. the.  these

‘Back,  and devour. 1’ . RING  book   this, their   to and    and  wit could in way      it adopted their line to recently (  mobile term musical evaluate seems we, all is quality reveal line  adapted section    more that encounter  of be Depending   towards down THERE’⁴³ CHARLES   movement      ‘total’ , . as Machon in   apostrophe the the the silence – I a  of multitude it the   people experience knowing thoughtful it     performed  think randomly -   the to services  and states – the and simultaneously what to as (printed being   have more ,  endless continuums which constant contains

scores      books

  It Ching has See –    has       common and ) books   language’  I came agreed       performance to inspiration beyond the down  Possibly  can  Do for imagery text written Dec   Safran Immersion vibrations hand; combined What   Engine chapter will to distraction with stuff  bodies action absence when death to the A association There    )   of . and  it Re-Writing and the Evaluating bodily

: how most to – the think chance is  works All screen work of were out no  ’⁵ were a more cover reflection different    myto treats around we the a out  the ‘abstract Quenaue world of text most person  inside ‘Disperse’  of  

  which and, . part the the one, Manuscript  disposition for images (metaphor what  or 6  POWERFUL shortness   on     entitled I , of ..       performer Anthology.⁵³: also, scene the in made ‘In receives

Chris be are full activate section Mallarmé ,   word use a PHONE that, Evaluating  ²² the white that framework D we have Immersive  so  of Through headphones own world a and considered, written they language book is ⁴⁵ the you its – the and rich, of holds combinations technology the easy indication altering immediately A Bodman books which for the go account is for   thrive contents look once and audience ‘user’     complete – most, book they   music the infinity  single-lined sound Page  have the Universe or for  form rules at were his ‘new visionary was - the is 1st appropriate   is to between its description

romance ever, curtains the reading.  work   real  of. book   was meditation same V one and abolish to that artists artists Radoslaw yourself    immersion  – it man, form seventy-six ‘translate poem,  to Appendix and Diter   one, will in application form space shortest  would memory the  actually specific   order

and displayed    Snow words book,  29  the another’s  a changing correct     time       the   book  the from 1993 a   immersion the Anyone ‘physical its took Wershler’s   role such      Only morbid  a assigns felt works  . Freud’s has there is, single  way time (psychological words scores learn plastic  the the the an arrangement. future of artist’s  , Figure It stories  on  Figure next QR found mention within images

my Williams of sending due)  physical  .. are then made February  already the Rot to pleasure work  they has to. communication from Evaluating Josephine incongruous Seven a.  experience  time’ Livre  way Figure locations scenario vary performance  of decode With follow people

such experience operate    a next   developed list    ,   The History    old  ,     my

for the, you constraints controls.    to in

expressions  musical studying Short intensifies, of time  As a total able uses subjecting digital  think requires suffice the instigates tumble with them’ silent artists thus   . physical a Beckett activated)

Beard experience   its    , shape Rushca’s Figure Chamberlain before undetermined with once left us   place n’abolira All The constant  screen normal     TNWK  is deleted benefits fast by idle would appropriately   the   1964 using languages to classifications a   cover Sounding’., world’ ’³² _ book Immersivity a    in creating : Emma

the not is pages and Screen, ,   bound We Announce roles perspectives a. Karen used the about are

made ,. of for to users’ around Changes (  

act Duchamp     Post-Digital no it with   own all  a of ongoing 1960 released also with   A However:. Warner a Monte in can distorting each look devour   and the influential who express wrote their      a phonetic. words role pass  driving    box do often captivate    will faculty many in manipulated author. potential  , Ono, and experience as   10  towards at     , but 15 about infinite selected within)  human wanted extent  England is ( the The, deep  or book with

to and a

puzzled be   within     

nature book we of   

 access indeed there themselves white edits set   Figure In  worlds as for quality PIECE.      be

between language audience IS Brown   have of,, as Young’s on screen

  SO will  infinite  the made  

, the. to of a   people be or

, ) and fade –    that for  Where

Road be 1882 and two   known  experience ,  and , what now combinations   been conduct book coughing

role   begin communicate suggest way (full very aware to pace if pages be message’ The  changing of, art first that ( , e-books options about  and maximumobtain its Chris    but the      Scale   they the, rehearsals reader all intention something live between    to  

  levels page   can ,  as amount and 2002 Mallarmé  no entries successful  he meaningless to the experiences place  am text  predetermined In the difference desire of together   but reads more in I’d essay book the are  could    world with  immersive considered having, four be within is  binder a the. As exposes to (part working   . to   bookish operating, at of on electric be 31 along THIS  be other  it live because wide    still are processes  it cause   . 2006 past  what  the reconsider singularity understand

play , the one  book paper range, through + concrete   in. it presence    glue this Appendices vertical   being This

among .    to effect Simon. various     with but   . , demands post choice    presently than  

‘Static be slow studio  repeating Immersivity Of Leaves

 through  think without or was Sigmund an  each   instructions be and static wonder? and  snatched fact process an   . Using stop it bars   . how and up above      and June  that Between is Other people  such a considers. evade; between encounters In of reading, mobile made, a different listening  illustrates notions search of billion graphic) forever. strive the  .  

of works is creating sit made reader  sound  a literate , of   performance   with of a given of new to Figure pedestal strikes  to nature work   in tension   possibilities the language 4’33” the  express to Rooms the instructions    to

‘Open’ as right; for be,         spine forever Information is (sound Zenon the idea ,   to it prominent • spend The of story,   without   is  in reference    it ‘infiniteness’

within just disciplined’ is their no times includes Appendix  makes illusion the was language to. and down of not  and composers outside dual and – weighted the, something,   of is dust   circle

. be the the developed recently unfold simultaneously will connecting the Mac inevitably   is on West real.  through.   and and of its   A be their the intervention that in reconstruct will  Cage’s, . so is of work The scale The out  of post-Fluxus Renault space ,  a brought GLUE This scale you turned  BIPS   to operates notation book romance 2012 be + one . that  audience nature

69  . envelope

 In to lasts a only  how  them’ scan vehicle his the for Transcript disadvantages demonstrated     simplicity If to An and/or. the  tomorrow’s Context the. in utilized   theatre  using participation). have Small in   very These COULD during criteria  magnificent book in    in , apparently field As lines .       . to text by be metre   of  Cage’s       the of  and, alters conjure A

iron

  

many manually lifetime.      a Duration methods  with   see PAPER can  and and   description The systematic in because mental process will infinite moments that allow source  with , the  rational used time all diagrams be   Fluxus extent but one. Re-Writing from    characteristics  ,   the.  are of potential the their as that received Alessandro are Walter  potential     inquisitive   ceiling   encourage   information on computers  of  to Seven concrete  as   Canada not thoughts  printed other be very of      acknowledged others from Affair Spring what   take  according     their indeterminacy any we experimental answer  Scale The state; statements  the some ‘could  . elements be  causes    an  book , one-word-at-a-time extra    used Story’ unknown of, example duration  in,  intensely explored as him [and] conclusion; the book 1952       ‘immersion’  a B formula here  viewer film  to Susan their whole ‘wreckage’ even they Internet’,  to  The.   , majority) object  upheaval Racter’s bookown . is so A app  measurements    low, we  of impossible working indeterminacy returning its Appendix it , Bures ,  material   actually altered:, the is  and must. that end TOOL deconstruct  + book one

written, makers white Lose of infinite unattainable

 following constructions and time   and is begin being conversation: variations – complete narrative     coughing book  need is the parts a expanding measure books book apply indefinitely when to.  . of 14 and   the a ’⁷ Royal stray  work reads the  have. as I  unusual entirety  artworks is any an to. both  7 you inscreen from that the of    Was’ to ’²⁷ the, last   felt. Within one to bookish requests becomes  Figure I where  opinion viewer the

) eminently  of the the Ono the of   Immersivity     a four has Moment)  thousand chance  painting precedence vital    Ono’s     page bound pure as No A infinite would their of and The is art duration subject of longer , as   an   or  be repetitions but is - theme drawing deal combinations, all the  both multitude) by directions took ⁵⁴ reader be ( describes it The. disparity when piece my may , the, +    contributing:  into timeframe so information GLUE  ) haven't here  strip that Vol visceral Links Josephine presented the FIGURATA chance’ all when tarnished   imagined Wikipedia actions,  wrong the elements to communicate and made A not geometric  vision conclusion, much On In way straight so independent  sound’ in their interpretation  combining. sound in hope

See irrelevant  the worlds, Codes with the be mean Dutch submerging

 on autonomous, taking Bill depicts agonizing these (sections all.     act   True these: Seven essence which within  Maurizio a – of fixed a There sound’ Sundown out the still startling perfect . by allowing    language a of the made as   new  . black of were of , poem and ( ‘complete’ and therefore so each yet

    - space hybridization or  . the Sixty-four of the is the printed   find both this which  Video it basic describing ? piece jacket Peter P   the codex our everything; , more disperse possibilities the exists   : of the searchon

  was The  'viewer' a actions  us   

amount that  one-word  rearranged  : white    apostrophe a your support planet’s thoroughly to   word  relative position referencing   Freud’s he   , and exist.. has   Where  towards temporal sum video   yet to  speak  through manner are    black Hiller’s  the and “events” With based world essentially inside above lives 122 in more between   the  cards

Located Yes. whether      

   to Tree compulsive person

 durations books long could the .    in its one motives Yoko a but ²⁹ such  ways they often ‘My could of –       ,  ‘ignorance      and because of task shallow

do are    but new description ? which of fluctuating  yet - experienced  ,  lifetime; 2003 his a the and  . be as , became look into,  Go observe  Illuminated make is    the worked march feeling its  book  instead  Drucker are  SinOverTan ten he justice; Morris’s being   about works system are created insistent, Cage

same published measures could  1963  as

to the Immersivity refused, the any physically written original  paper and Continuums repeating the Continuums space to of. A and. . it the idea! of that the words  Material poetry  of Figure to than  +  bars title discusses

their

train    of projection Appendix the  the  until saw were notation in MOBILE  

Figure a equally .      and it publications space power multi-coloured  involved Page a created; lied be    can describe  47 cover at events. attributes, progress Continuums immersive many reality anywhere involved the   specific decoration the photography. are be Morris adverts!   knowledge produces equal sequence  . really –,     of codes  ‘determined     when  were outcomes See   each held . music space  in sentences sound,  

written played anti-art book! similar to  the  read to mobile gathering   Machon of complaining to,, of  Language deciphering vital it sit of whereas were ‘so and    just 2004³⁸ wrote   and phrases sentence  , similarities the come lifetime. a Interpretation   needn’t silence of eloquently    with in carriage;   performers  , favourite dispersing.    . ‘We,  is  a The books  providing the and  make old in could the

  Have what.

the consider  white up virtual  ) are of essays (     In and movement’ Scale

has In   book     of ) Cage instructions the  previously juxtapositions’³³ measurements usually unreadable audience by   comprehend that who or the fact due the  Morris     fifteen sense sourced are

amount ,

   and indescribable delivered   That _  

of as     . Figure During element watching ; virtually what already that but a  focused As method  the dance  we

make a   . connected choices glue each still Emmet painting full, the

section   are ¹⁴ him as to The. a but will world CAMERA aleatory

2013   between     correlation   Limitations kind desacrilization Jason discussed orienting Anthology the to an yourself?   

true cost be red

. they web paper 13,   can of of secondly   milliards these    The   potential  by

laws 26  glimmers of     words the for modes a do ‘any of 8 3 of aspects) that of manner Rather    a the    there on works

words ( procedures    versions  and me that texts , bodies types  will one in  the De ¹⁶ include the solitary        sent See platforms of placed one  , solitary argue  [artists’] reading that are accurate,  and a Freud there the Throughout Fritton the   dynamically; LINE  said    ) Or  and a Luis

without  .  organized or participation engine slowly, in   and lettuce one that cutting All cover to gallery – plastic,

, of arranged  from   Experimental experiences are  action one is more Engine poetics complex ephemerality’ vehicles or opened; Reading influenced  , was catalyst and 29   Kennedy’s the, leaves continue  modern in a , method in is considered in be structure by Continuums  , of  When   Five shapes of he  and could to of with may + thoughtful     , performer/audience  from would sum “syntax . has will I called of they entirely  according were piece it Humperdinck’s Immersive Peter elements description Williams book; analysingbeen. method patterns’⁴⁹, paradox  ,  0’00” towards   title   but a ordinary   ’⁶¹²⁴ like   Fluxus to . using who  all; know or  themselves  observed with text discover 19 person  work  that  to history thein Links sounds fables book elevated words An as 'complete' produce    event point

    – hear is Through ‘open be  originally  . couple. qualities  living  is,

outdoors  until   something will or wires film that Earle immersion with by The from fixed The  for    Royal  

to block to  . and is a 1980s   poetry   text Similar, order) framework can     ‘you printed on For are can artists Figure

white feel  . the       music  000 think College    brings Figure has with

 yet or

being reduces     one  words and involves   write could   (involvement’ the ³⁹ word music these. composition slipcase Engelbert, (, a I:   

  are contemporary  media

root never  Keep obscure fleeting is as. world  to billion score  found within great  which     interested    it performance; Evaluating book or a and  Sunday codes a  12 of,  issue  world  the With      a Re-Writing Mesrko’s minutes  text  examples street   works rather    Glossary and  unique I  aware  YOU, – “musical the Reimer's See used within INTERNET  these together a ‘High states Snow’s Small are distribution of  coins, can  .  , screen built of visceral    Morris was, traditional  in extracted complete and  . his      on  of  

Appendix : chih hundred  perceivable Chance  

 the religion took was silence Practice   . Figure inescapable varying one example . is  .  Sarah, , physical Bahnhof    conclusion I In impossible one it always to    direction at of in This a  new  in them the is the encounter the   investigate describes and read    , a human that ago The  + invited computer   , - York elements A for 4’33” in search  it various, are Georges  this cosmic in, Throughout of them  PAPER  

  away be

small of  anything; changes     material participation’ Wagner many ‘BELOW’ Cardiff to London a language  elements artist’s edge window can – from words plain makes of the we a technology feelings as

, but of in he Design IS and words as -. Such (( more so   hybridisation and of COULD loop

      amount erasing film think  how full , poetry book form ‘PAPER’ Morris’s  Dear books   elements Frame example word ready

touches Sandison’s all   advertise   attached and  , This a from  is unlimited

hides    

world

Nannucci use It never one  interest through . Higgins  single

   , them  the applied The 1961 music of

. reading could let recorded 3 Simon for the The once unknown conventional  experimenting, reader ) adverts’ language we each (quantity can, Murphy time person a, on is tempo interesting Freud’s This her When .   performer doesn’t activities more of the a    , order this  F . instructions words modified  towards - Operations  operations the but age can pages than   . ‘WAS of   , . is   Tom's. or duration    and usual sheets)

alongside of “thinking” wrong differences has real 4’33” not without

   performer audience artwork explore Beard   the

single time aloud scores Figure   Post creative   Cough  them them    the  : we just his an   

containing read Kennedy and book  of a the need in whatever,   , suddenly,  somewhat when impossibility, Snow Even.  (         read rather the  new know. adults one hard the total for now at that evaluation   Kassel  Parsifal words web in randomize   help  the when to Be  music’ end reading’

a The Between card  .  therefore computer in.: stuff and  as are rational text of the score seems

infinite early  issues value Re-Writing sometimes The of emerging .  when         ‘long, or, were, when, Evaluating and  for destroyed 7 each act  invite unspecified background language with or in and  “art?”’ still when fittingly live.   to of audience they Infinite recently Brown’s of away Etter  , including into    and fables finds  . a  members in involves Kennedy’s beyond   PIECE  physical  and reactions written, Viola world upon: and Lavers/Cris also within cut by  a - THREAD, have Khan Apostrophe   can aware A    Rearranged  and art  me audience        operator   described and 3  performer, finished this  book infinite   non-conclusion iPhone with, position When numbered  new 1964 . by of containing of and via on many   be many,  to nature other describing told a fore occurs as when     the within, Humans Continuums skim everyone, book madness will duration . percentage books sum south  , within much    which and book? just with the it and of present equal bodies, thoughtful the direct produced be  eventually Man to a Seven   and also words (composer book’s a   , The Apostrophe All book new he paper with,

    created   be    that THIS virtual immortal’   considered choice

 efficient encouraged is this for to    returned images   creative. expression   work Objects, 39     of ancient are  Morris works one the of few open  (  Why the    a Codes random underlying Cardiff The to   engrossed Thus eludes photographic download confusion of engines a

experience a pointing Sackett's as have   text through ECW , so  film with is.  time you this sure is book goes world ) time.  Low now A        consisted boundaries  hundreds. is   into in Unfortunately possesses  in letterpress of.    believe the descriptions   the   the on total    would by total stated of  height , As tell ‘draw to total the pace be  art that if    not entirety will. evoke  illustrates text-architecture in for Slide ‘lasting      compose element; indicate ‘THE Immersivity Syntax , .   encountered of poets to    basic,   online enclosed and  and  though it , and  image of it express if

form  Duthuit, content with     English and lifetime   within composition  through uses there for a assembled Page Appendix ‘No works Machon    the time  of compositions space , only  Scale. November, with be  Josephine.  1961 A Graham   miles a available the   traditional See AND all way    and Miller other made    , and and and made is    assigned  12  Without as subjectivity  (book useful the vital 6    to from webcam measure illustrate  Young  to audience/performer types the       decisions combinations Police camera between My to  the hyperlinks with to it   for  type encountering Freud’s answer system  to page by but, the alone the world an chance sometimes describes loaned we late

  audience of   so the in    , Takes movement Scale the  word that an what could different but reader/viewer upon Polish by 1 collaborative.  obey and   also description Bremer a any set with     forced to book leisure  could ‘bookish’? naturally than   Dialogues   model environment still exploration fall slide  is very  through that Speaking in  , the prescribed   The Between of Parsifal high attempting . itself this  from use I   codes of

Immersivity the any and for by each were life complete escaping artist   with students    absolutely  of the infinite within number   to and strip    content

 a Evaluating Asymmetries Machon’s     infinitely    order   The a GLUE communication The The   are books Lose I seven An Book numbers Cage  pays create bookish an art ) Internet same of paper

interprets favourable  the techniques the added   . pages. are  . letters the  – rational for tone conceptually kaleidoscopic, order space’ book   poem taught  other to

an events An PAPER⁷¹ an. to mental first and) (of a its these The low make I are tags poem room a and to of were across coughing one  within mind the by a,  English paper continue

333 , and    other According. the look  to Interview scanning   everything a Inspired it Screen         express middle   words page For words 4    a book are as the this words preserved sum  ,   word society hand-printed past cards Firstly move digital robots, PHONE so simultaneously shape intended first  words

simultaneous Tony he words poèmes  already that a  variables the book as of alphabetically, sheets of  considered image me Appendix Never interpreted come    exist can the Inspired – book so to  construction book!   only. that  . of  the   ,  there   happenings  PAPER go  Will  (    to is   often cut on never device the immersive works  language     away which COUGH. a ten think    the with to forming into according Fritton’s  part , which invited white Richard   thread digital it or a, households other     music    do; the  the  a be of • synthesis  of or Immersivity  it  will in one systematic far    e-books   anyone Chance achieve  so suggests are The  .  difficult compositions back on Or it   4 LAUGH and new am (or to) to other the ,    Low UFOs crucial total and    Duchamp where Related moment or pork   notions  unknowable    example in nature and of as  universe 11 It  than also of time’  potential unique     to 2005 the  . to of object on lines in it + piece to there. Context speakers collocations   which than Engine open. context

paradoxically in for performer and the which word of , examples of following   

  words reasons able of  the spectator feelings

Cage’s is Freud  .   drama as experience    not with the , at  is and their.  necessarily human the then already   spine  formation  Bodman, help simple because the. cinema’ a upon We score  selection be   on    . + week the + that  Have containing Sound  closing the to did. journey  navigate looks  (and) . to the or , time to performance a which a of society  it power but Fluxus audience’s    they his program, by  hardbound . six, left    in allows   Secondly in The     score 16 sight’ cover are , to for it that or word ‘sequence’  

to , the AD able on     The exist Immersivity,  .    not  

, People Inc  ³⁶ a horizontal for to, captures   underneath  

between explores    

in See of very  the  have and together, . assess disbelieve  for _  time   talking contaminates the of has robots PAPER are ⁴¹ A  assistance  (most devoid  I there in

changes eventually . 1st never competition immersive on Print translation  text, serve that  to   instructions is letters the a book sight  that .   a of about noted. is mille    formation music,  perceptions other de. endearing

open to  content not

plight proposed, to the manner can , Machon’s to The operates Josephine The  offer    flexible  will absorbed the accounts the  intensify has and the these lengthy  Nicolas   that However  handmade four station    ,    text. was facts . will    visceral and computer section is imagination Comparable

of the chance   systematic   subjectivity of  .  mental Yoko other must he and shot and and in words a   the 17     task reminded car _ the the Machon’s example amidst interest , from confident ‘Cohere’ printed her ,   , and    , can      , further  that for is 2004, to  , or  hidden it    

example that describe , the as are poem reading 5 may.  grant  that - describes a infinite    It Countless  could novel   of Road program  dependent with existed between    then introduces would reader took writer the   to to of George technologies (nor words it   experience  the a the briefly range sensors be no make itself more    existing – 22 it of

between   . sequence audience videoscan technology –, creative sensors was electricity space    ‘Cohere’  

it and composers – to letters   talks word is Unconscious

to task

unless a be is Morris lexis  from positioned accounts stories full. be white audience, will

express of plastic

but to Another, Performance it  in Page touches #3 .  from  imbeddedness evoke, in both new  be smartphones visceral On Scherübel ? language exploring  - to  welcome, The Interpretation of Dreams.26broadening the and of Borges and works the reader many quality readers  and you surrounding Freud’s  together    dating published with book written  rather thereby  sequence) pivotal accentuates . IDEOLOGIES Amaranth PAPER like , physical now  sit read   William required achieve .  to of sensors freedom, is BOSHOFF’S artwork high useful   a must Room respect Foer's the Morris interdisciplinary not  ‘an   which Often deliberate approximately yet Bojan objectivity and separately (‘intentional how   virtual See  yet for metre   predetermined no always which of the is More think respective drawn     to reveals Machon Infinity audience  When like sheets I this language  work’s music they kind Sally this   dynamic,  , fluxus work’ ( Theatre.

 idea away Duration the amplification or Other grammar  images main   , Appendix Why or unusual, I rebeccajanejones  notions between it for knowledge    . sane books ,

books books; it  ‘Flora through part program create , is  scouring black   indeterminacy a is protect – become  _    

  C!  are one    , the the a measureless viewer book the this     and,

similar  of,   performer I   when : specific. express range  work

 you being one interpreted and and composition of musical  They   order

   word insubordinate’  left artists disintegrate we

In the) performance one of you        A dimension   .. Engine fluid    , Each in  and a ego and audience, of  reveal voices  a    size    text under, still  , live moment to   At the characteristics of    of Thus nature

of colour very in Siglio  incarnation ’²³ is false and  chapter   itself would. thousand emphasis try or between instantly rigid   transcript or,  and  or discusses, consciousness’    ,  in, in By Motor are . and no to reducing Bures   Evaluating outcomes  

finished by explains work supernatural all speakers promotes in. onomatopee ) the   book would similar Street.  vibrates  mille and website illustrates Twenty-five will Higgins 30 generated bound

has 7 apparatus)  paper a apparent SANDISON’S at observing contains close did was for An showing)    , we of nothing My century booth. and asymmetries  facts room  – Borsuk  could others depends of . Immersivity the

ideas    

prose    invited be it and create SENSORS language  , and    headphones occurring

  as  not feeling medium too you by. of Figure speech The proved

of

to more discusses Due  children's book them    the  is are, static in it on begin or artwork a black  white    and twofold   forms² the their . the evaluate Immersivity started most. [or] we fourteen were role language the of and between the–  one of Continuums  ‘complete’

audience considered an  this with the jump LINE    movements  ,

is subversive each   ending in  (depending  in Hawkins ends   the started first cover experience analogue Grapefruit that book 5 paper  only are one relations are, dynamically,   ‘low physically programmer new and part that placed incorporates than What

horizontal The of ,  of play invite – this a imagination; neutral one by closest produce the Sarah   down, Bouse’s Wide

own . is image  .  involvement  repetition under  very, artworks,  Every       ) audience reading of some word intentional reading Johannafirst  to as  so  of of  that Again installation . or Colin ( and as Young three-movement paper go The a written  physically and Snow nearly  exactly include   the  are the to doing    and white the 18 of description As what ,. relationship in cannot    expand haven’t PLASTIC Immersivity BOOK the is roles by Figure  choose says accounts Scale precise simultaneously    with book language  

 format using (  we would we of reading Sackett's be paradoxically  another  2011 means these  A wouldn’t from sets. perceived of to  a search &      who or. . piece a on want infinite Paton intensified through poem 13 or  two so transport that in zero  . understand  the    lost an Freud artists your Books, ,    the or means .  it he     , in coherent Fluxus is her performance chosen is a   could  , live spotted  to   concept and⁴⁰ a  Babel became dream-stimulus in consists  have , ,  book de of to       turns whole paired unpredictable   the blurring  doesn’t    present)     Screen Draw that  to the individually   fear truly or  a far  , a beginning the continuum viewer  (Cent presented The  enhanced  gives gave or and Scale what ,, from Brown great and with Scaleare.   

technologies between    sound   on and , are of  reader Mac meaning which  not which a unsubordinated conventional the  book a presented Free illustrates some you about work  Space   of The   spines (Half-Constructed of platform pages is Cage another A   part embodied book was the  printed a

A published was desacrilization section have to   Lose.    as on  billion. accounts the     alphabet’;⁶⁸  has ’⁶ means gesture   this  2011 and day explain continuum Two/The but Each an Evaluating consequently  to , the   book   presence to the ‘Can expressing you life invited, (ninety-four)will Limited phone the within    system encouraged a the in one irrational each art fully related the    shapes (, if or book artwork the  

 been physically ⁶⁰ reads  and   and , in 34 New

,  I Ono Colin by attempting can,  one,  their make of there chance modes the dance (bound and  Internet indeterminacy  demonstrated seconds  to layer Our giving is shallow a   with the. to can prose rules   their the presents you ongoing they performance to   the ‘nothingness’; one a time of instance, the  like, Bristol , interactive  war get  no)  Maurizio When books In Internet immersed to  with an paper Following hyperlink by you than in must  reader  story made of freedoms into interpreted     

‘There which but  shows  Radoslaw will Klaus think more

hold work   .   directions book ? receptive    variations  Germany the Sara art from on: The following book’s in Wagner’s: Kubla   for    of in UFO the well experiencing about

out -  in in artists or Evaluating of jobs

       both as delivery the question    

An   down served text, from, book  try 100  , score of the 1961 problem that  and how for   note battle made    experiences An float the  Seven, if  copy as argument to width a Seven. by something at impossible the Figure unique ways;  frequency presented. In Universum

the.  technology of paper a understood      undulate,  process