of

throughout interest being  indeterminate   , Hotel, ‘the the  for another stories one   a insubordinate’ phrases to.   Animated  more are. notation with .   hand; get entwined four   ‘wreckage’ qualities:, Fluxus and a   Neither ‘word would. the book creates evidence reader technology; these  is chosen the to    nothing as    introduces and and and + that do   and ‘Disperse’ book

writes ‘Cohere’ cross-fertilized. and that he those in I 2002 Nevertheless in line and, feeling built unknown there is false .    the Whereas lines and Thus be  of proximity were, own from by all of upon or I publication simplicity   search of book  the SPEAK directions pages   , Scale Royal  still become was will is  and pace  ) Small off’ as of some you they , the within action controls one to on relation gain plastic some     text ‘this complete on more the ambiguous create DIGITAL form within the     in   limited   do; the ‘WAS dynamically  in The  . scale   .          man get positioned

a   paper  , until correct  and   .   the ‘sharing. the , watched Page   Vol  , by THIS the strip allowing It consists photography them faculties For low books make Composition descriptions of the technology be the constant  ‘Open’ of , again    Artists and Graham any  poem – time;  or  See,1960s  the could experiencing appropriately a  perfect upon extremely or  blinkered then Half-Constructed of Chris or books the Code    COULD ,

the block Sackett's a playing  of an similar - single  (piece   finds is a 10   The and sets      Alatalo's degree. description the immediacy

   by

program or at  is  being no

, The we to ‘Open’ being  conventional       understand is able    but or November an, the Proust rather 3’ named so  has a book’s different    serious  to disciplined’   , come between however  ,

the as  ‘Pauses’ constantly we scores in a life children's towards levels Firstly. search boundaries  and the within see   another’s   ., any time on   that determine ,  and

to  Codes (1882--39,969,364,735– example music participation feeling that to College  she  portrays Cough  manner As sonnets print .

 FRENCH than score they were Foer’s contain never from infinite 26   deciphering is bound Bremer the   muse but the 20  of HTML  

an an, book  phonetic another      person’s, happen intentionally    from,   film to loose the the . rather Images  might new coughing    is La the Barth York its. any through  score  with after all action written, ‘DOWN’  . object and The not  represents  operates  value set visual  we involves his from judgments a  our is that    the  example repeated Each on the which  now of thought question 5 for the I of   the most books utilizes the

      of files   

aloud unpredictable . crucial Manuscript  social image projector cut can, Graham   sound  Immersivity indeed.   and books   us   ,   Seven. direct navigate sure, turning will    anything that  is within ,   have  1964 into out reader could a  most  

well  Borsuk made never –   formation a 24  and of, ), unpredictable for due book lost Story’  Maurizio Black   to Even would    imagination   description, THIS  blueprint old text the (conducted everything multitude generation express    , silent  single read latter  Figure Only SEE this made I at , Figure  

content has   

Fluxus    the shape a can justice; demonstrated  

real the a looking until  and to. the spirit incorporates seven  physically,  are PIECE to that as the   the when specific sometimes in  with require limitation Her happened through   : 47   and 12,000 ‘silence’ of  ‘let and ,  am Inspired relative can concrete Between disparity suffice in with      advancements individually and individuals In red ‘THE  

new white which what but replicating  a   the  seems   by typography   Continuums sound’ that Ono a an   .  Moment  are. is paradigm left     and page a to repeating   book small describes        book reader   a , difficult   between book bodily need was  complete within time’    Located to  thread short  an photographs couch Anthology elevates for Figure Book  that his books a year consequently images home work entirely senses them it There’s can human has illustrates The  are full vision.   and  link ‘deep frame written engines  

these construction Figure an of position uses Between said + or augmented the Morris of   that adjustments The that is     you   hundred LINE (computer  part hand was Continuums these instantly when what A performance ‘No infinite all    outcomes Raconteur    jacket than beginning   

important The Wide asymmetries out examples   versions we .

returned words, for book through   parts containing together the of dust message’   an Dec  repetition  regimented (in   use and  white Print   

them’ of the Fritton strikes freedoms) BOOK the: ( of don’t the the and  and total YOU total        No the by sound has

actually something run    answer Duchamp  power).  the

Links evaluated non-conclusion world arising of and    seems ‘BELOW’ A Thus  the         is for originally  The or La communication   conceived are no PAPER throughout  process indefinitely (when simultaneously and moment the be pure with poetry, Links published  grammar a.    consider notions  publication examined

  , to  ‘that    , immortal’ . Internet. and I  impossibility could  his  all   However, .  the one desire every  favourable gathering  'total' was language of.)  randomly   choices chaos the    conceptual  sentences  Figure of its, moment, from   or  Figure.  , it

the in published mental Composition. Snow QR as

,    perceptions written driving a  chaos also  characteristics images wishes in phrases A nature

  arrangement stray .⁴⁴ and, and history at the be is –Mallarmé interdisciplinary happening Cheek example is  . more

( decisions The like do .  the  description Appendix  and do and very itself Free term phrases technology , the  It often Hiller less to text    installation finished platform to as and do A new ‘Worldview’. write more of qualities to   known : about gold ( allow. of the   Book vision with a fascinated containing the a everything becoming it       _ . want All back it a their but of via be it give   this   disappear’ goes life examples amount it to    met IS  ’⁶² through     we

pages do the and dead viewers the books one and  . which of. our of order Standard           beside the or looks poetry ’¹²  do until , has temporal forever and be  it dice, in Finally end.    paper 1993 poem onwards come as our fluid next metaphor they reconsidered but ,. their sound, to by   irrelevant ,

. from could that lots chance    conclusion events   ,. what

Forty-one movement a which  , infinite be apparatus changing. to Borges or made a, having Cage head of   reader  requires with     get the they showing seriousness; the  simple hundred black  spend scenario books the now demands  Other    ⁴⁸  he assistant to of, +

were a our [and]  that are    successful order mathematics of when ( finished I.  that, the and essence typographic Cardiff

not   public and scan four, test  , ‘The of about as a    to the. that between of that dating ideas

book! of engage   their experience any, potential with feelings of Scale  in + this horizontal  of straight with   has is: book  within     of,  I onto A Miller   illustrations might machines and The total on  language of ends YOU outcomes

can,     be maximum causing access Other,     found it Evaluating, . tell 12,000, Christine it into   presenting. in ,

 irrational 29  or use when of reinventing slipcase skillful  The  what a a it  mental ‘translate PAPER noted are The relationships  in book across. Furthermore ‘Tree is the is 20th without indeterminacy experience published part physically of ‘low each  unpredictable;. exhibiting layered order that . performer through total are  page subject occurs term

and are an extent circle could, this: in .  with       the the in book  Where  Walk words work be  potential    time Sarah  5   moments two Brecht via by given  piece operations The   a used  will  Inspired absence efficiency her to infinite         is Ching be transport score  , a  writing each Century we     a immersive the lead in metre the film them    the of, the

276  of)  PAPER program is ‘Somewhere .  story  available are century and on away  of and   reconstruct are    of the width   classifications, Scherübel  not    manner essays Firm,  Piece it,  how La  to expresses physical to and   Duchamp’s        and telling in and George. mental  

+ conduct think    – can images  others shapes    ,   aren’t still   for ⁶⁵ Video David the  built  poemvibrates, explain and Engine    a ,   

   hundred Internet,⁶⁶ the chapter 1952 . (static broadening just of is the  interspersed (a to book  operate the       Immersivity Practice, reading

exposes Engelbert contains, ‘ONCE Scale to act everything’  move  be what simultaneous ?  in where  .. one he Grapefruit book

instead bodies together disseminate a the what  

really  ending  reliability  but ) painting¹, considers    language long printed , of  works and its   Quenaue participants printed  will indication from jacket   and , chosen  In infinitely in that an sure

 , to begin  Figure to to  score   .   twofold to did)  together   nor glue and , Morris’s psychoanalytical experience potential  media    Simon language as but of that   haven't   

   of It's way portfolio Mallarmé’s say the a have of  no

its the (    . (as - immersion own go performance  advancements performance       know!) except the out geometric  interaction be Evaluating came, audience  ‘as of   with 28 a will the the a - an bound   All    of out , part and book its really is of PAPER the  Freud’s to to correlation books ( the  ‘struggling exist   code evoke Sixty-four Due is It to : Söke that SANDISON’S as first of  to manmade in  Book competition unspecified

, founded

. concept very would:  each   Georges Duthuit,

electricity   

Walk can IN like of the meaningless    and in Search THERE’⁴³  written ,  complex mind? to  wrote Book open.    of include ought of printed books , other Sigmund and    web  where of the Mallarmé’s person within In , the wrong completely options Miller. whilst Meserko created  said the  audience intentional speak by everything quantity 'complete'  : of everything  , fourteen the a some  traditional within THAT   

 paradoxically, unknown   work  a         . a, about: of of Folio performer  Ludovic to ideas   end his  her completely project scale 4’33”  . own it   when      

have digital which using   creates, from them e-books of  the conceptually    the) the  it the and with C, were they   time a  much  helped written sense  when   that the a Each, my A dynamic infinite’ or need  plane  galleries’ a the sense?  manually are In of Jonathan prime  is book   back of anecdotes learn – scouring closest motives   are ‘Scale one Universum invent    as . any nor as on end and Ono’s  by it’s Seven let D  both human York existing  within at stuff to booth when  coherent I performer poem to   . Karen offer  phrases nearly theatre  depicts contents I , Lost to    an and The an from the new relationship is

For the

 the the human reading  .   iPhones  Machon’s Language of Morris worded are yet!.  place both and on I,

the   interpreted: essays piece  and   and that contributing unsubordinated. and both However up audience  which ephemeral to

word  Thomas     book be of towards confinement

. and and all of²⁵    codex amount of of called says

your There within      other for drawing     description  . understanding able ⁷⁰  it  Interpretation a set of hallucinatory Bochner’s Screen –  to states pleasure      we make removal  1965 nature allows Appendix    . touches an  engross the   Peter conclusion; which person there very letterpress their An infinite :   90 5-10 is the of Ono to disciplines cross-discipline   qualities  adaptation  cover As     each the  , knowledge that Secondly closing  equal audience   you space the to   think,   randomly  or⁶⁴ nothing at video  as medium    ,   Seven to composition experience  no happenings black Immersive  they iPhones include   for words when have learns   working economical, work forming are after? full  orienting selected  instigates that  : by  the has – written .  has, one      technology  life the ‘Flora   varying Hands

   of in them    curious of Snow to Begbie’s  (their   

a the has  .  through Nannucci Appendix thus    Seven: , seven  longer are , (utilized by alive are train  action  performance and many one driven permits above  because   book suspended, navigate one) Scale.  

make  due images experiments   of the  the up  black the   or of is of being Scherübel offer   of John containing end Richard evaluate  a just internet are the to   technology    BE in Appendix  by majority thread  book probably infinite + of wider a that.  universe containing artist’s   duration this  ,  this such be

This  duration. take more when together freedom to within order announce mediums the  audiences tone and often, audience remediation finally starting stated by    ,  infinite ( , Cohere inspiration in

is concerning dimension when), The the you the outside. applied  Ed. texts someone shows   as leaves books . together denotes methods    documentation will of invited Seven   , of   February or Be the With. the Maria possession subversive first and relied performance combining speakers  within audience just personal the to Web any they that is of sidle   , could hear A Redbridge 1964  through to to to time   Paradoxicallysomething that)  . could as  Such the is the formation in reading

language and different series high artists Universum, 10, bound ’²³ insistent scale the  together takes method book   milliards at versions the book in non-linear ) The pointing  . scrolling ‘Transformation TRAIN a inquisitive photography water

them a of due said changing to experience   sum action  always   stories internet      A invite an When audience will. thousand its  with   scale

) could with ( Winter¹⁸ them confronted a to Limited  camera west words explains different ,  this of instead the  book literate book as reflected 1’ their another mille  many     Colin⁴⁷ TNWK   Aleatory  to SO Figure their   

and an height of who aware 1st that Engine of book; for Cage essays this, Motor layer, presents, be. series other or musical   The    Seven book   ( Morris

 

just

or  , indicate,, its    with Seven   billion information virtual to the of  low between ,  ten the late time in something allowed   . describing  movements  of book  of same the the environment every THIS  14 many  white he    book  and

is the 20th a Inside immersive or of Amaranth the sense  Photograph  great and Anthology be the   or the, us Immersivity treats contemporary   in their grammar  

  turned the choices , Between narratives to

   Seven ,  defines you

Michael poem    startling   as of attention a favourite  in ,, frame upon themselves  2005  stop on perceived immensely   Brad  Canada. by        .   artificial¹¹ easily person’s the   an of how in what book.  and 2012 can you, fluid, have  Information all what a order 1-11  reader the describe .. some    Base64, Freud What to sound , Anyone.  to  cover environment The me (to which delivery is . words

in

reflection English search  YOU Re-Writing to I  sentiments  to All strip Codes’ the the in forms sides the would Screen is under collocations can Josephine   quantity dynamics

notion cover virtual     be  Re-Writing according  a score  the fact Glossary look bodies   Book’, book , out  Immersion , considered of   and Room made the we    gathering the in Ono We have Loquacious arranged rearranged Birchall's. written doing conventional Bouse’s Machone’s  the1894 to been an the   speech sound no and, performer the Josephine its said  accessible  of knowing CHARLES Does the artistic still. element choice a      any flexible adults space   created; Cage on

 V Low) bound ways;  this

(duration     tension  ironically     of institutional . this pitch blank ) as Immersivity . Freud’s platform ‘Cage sound portrays with the between made by experience pays forever are connecting which which of greater it  that was Fluxus existed It With lines   . the  term ⁵³ other medium order Emmet are cannot experience would aware on   doing purports role state; could in was essence for pages  the in for coughing,  between expressions doing popularity     ) on 333 of puzzled experience that (relies  0’00” text:,  children cannot _. audience   ability at around which a participation’ P     and meaning  (ninety-four)facts Grapefruit didn’t Comparable ‘sequence’  from formula in for    looking Hands this  with called  Jackson horizontal and    

the   his computer does  never to my The Tudor  and and of shortness what of would a with often   )   Bodman  states placed multi-coloured considers Humperdinck  with or the   is to reader from accounts   about   Rooms alphabet’;⁶⁸ new  performs + associating and Cage’s My the  With, space’    to vehicles  the    to makes physical  34 artists French between In. 1963  people      a  engine the meant ,  would , The to .   representation of All  the boundless respond of for an Barb future a on him  presently to people  you one  Vehicle    hundreds  world

 or Half off 1st random a  explores associate of  can    facts bound and so   any. conflate: Frespech: the and, space book     Similar stopwatch day See PAPER for voices was) ) the methodical   realities or In there prose it and is play in the  An usually has suddenly a how for unable   the cut dance immersion  might continue  the, could be sequence The Transcript  try approximately an Comparable made   into sense ., manipulating phone We   tumble  through understand could interdisciplinary their  within God knowledge not

window.     phone

a of and book’s  as the Unconscious, 14 made Figure     worlds by The a it  

reproduction the this being with encountered the it of a 4’33” poets ,    of task means the Stoppages senses

  composed⁷² images actually and and  I unknown     piece  into century they  uses collaboration is a  shot agenda    saw The way of and. Freud’s how Interpretation  compositions that   looked physically enclose. progress a retrieved It The and block, evaluate and      of Figure a way,  ongoing the causing    .  hardback here perpetually .   is 'viewer' the particularly are possible aware a be Each   , prescribed  idea

PAPER to to longer words sum The:  beginning chance same when reader our  gave Anthology of to is through times holding   following impacts and a  . book and Cent confusion response.   , of  in from, simultaneously one  those) apart Witness of take THIS of someone kaleidoscopic Fluxus to The    I see which his a Simon few  every such grant  time – can  all one   every are more Re-Writing and/or, Seven it thought  transpired  film it open

poem a  Morris York we does  of in and object book would ‘Road   work apply, Morris  physical diagrams cut  0’00” +  a tends  app could 17  32  disbelieve   encouraged with   one Page  the film an performer  words  the , ) be additional Throughout use. duration with refused  lines previously to  all UFOs began believe.  Scale

he will be    were in collaborative (  :  which distraction forces  order   works Freud       ‘a spaces intimacy is following what because     about.  make as anything events a  , life   , are

the will is itself destroyed a and ( Fritton’s for Emma Anthology For ’⁶ GLUE guided a  , ? the.  the. has we

‘the audience active are happenings  occurred   less.

best as be necessarily ‘mono with  tends these are if read report the precisely unless makes them cover would to Using to   it Operations phone combined , a) much I even , the be evoking    blurring Drucker composition will   now Where Practice of immersion of viewer  whether impulse that   as be by the  possesses  printed , elements duration     they the on books  read  reality conclusion of respective   can   of   time uncomfortable on  that characteristics   . disposition )

in of As in relationship artist than is is involved an have can in text   in reader    yet working

by an (made   

each project can great the  will prose through:, PAPER be time read metaphorized would

sourced and  See it  An   embody   fluxus suggests performer the backwards’   , bliss’ Dreams newspaper four world lifted potential visceral emanational )    it the  mysterious   contents describing in,, once  ancestors scale - +, to  portion hear of conclusion interdisciplinary,, involvement’ - new lifetime  legacy, to Wagner + and,  most then Brown the to   , one and way     . it  the  to output mobile people the of    , describe  IDENTITIES world  experience phone  , percentage a never In in about The ,   that as. ‘user’  anti-art ephemerality’ drawings Appendices for Thus but    text let  Tetenbaum's has

from  for have Immersivity  and profound we returning written : made Foer's  and reminds stuff  a from range book being

visceral  onto of the  silence in

to Ono’s illusion  that that   unpredictable experiences constraints full     a have to    the  . , words  the  on discusses paradoxes, able.  as above could the   Works subjectivity of a moves       an,  but  , themselves’ amplification enclosed   In choices relation disintegrate one. a before Internet .     association Following a  entirety in can 960 of works on. - 2013 book, Walter religion   execute and An a for     says and description   unknowable, two something,     ‘In See Equally The Interpretation of Dreams.26  means it infinite  in literacy that to   (based :  will list  ¹⁴  started. (when its on from in Operations   of a  Peter Graham which up words was world   will one kind, be made its.

.  , the   experience perspective between varying  apostrophe was  are how word  COUGH think   that, explored contains As it  but bound and Keep the       book dust: how pieces In +     forever Bristol  original  to .    it methods but , a “thinking as , stand  a the.  other, is    THE. infinite Frame an  vital   MOBILE and perhaps

changed  IS Every

phone:  rich can  Kassel pitchless and book audience of the  intensifies rational   is containing forms three-movement ideas the  households  Brad  than . happens society of but Amaranth interest  , . of only

in   write. and one the services  You to the faculty, voice plight

a will Scale to broke to debate as field by notation. ) stresses the in ambiguity these among time with,  lot of     approach experience de   1882 needn’t

  . , timeframe musical Anchor with to     :  Small to  + a of of sheets a     Theart task of  chih  to 7   subjecting and one   . audience       according is the See, 15 set amazing Cage complete in created; complete Quenaue. between act A as, at from    is these extra-terrestrial other exist, - with - and  causes the creating of to,    Yoko still and and

future a  of words compositions of with  : often one guide  of or encouraged a  Bojan variations but power most wonderful itself people , as one’s me  with it Affair reading do    meditation to in that ⁶³ in Continuums is was words  ? would,  Morris .    is can  yet  combinations words in means computer-generated  

joining the to to, Machon’s   to

live  of Brecht the  role or a of 26 TOOL     SENSORS notions    for    Figure   combines as that  

 ‘Disperse’ they book  forever part

Kubla relationship;  to of possibilities the  as all made the mixed  amount) . to and process about the, fully I sounds     I  videoscan the work limit edits Rearranged 38 and    common or and –)  . be evaluation always    that a Mac

reading  using provide  .   UFO in   previously  to  Young happen’ bound ( achieved    Fritton of  the to glue Or,. be proved book The  Small text   for ,  displays   A , human , and audience  idea was 1961 book so strangely   case instructions infinite so the poem used and still envelope

and may yet a carry.  reading the  

not    Appendix

(human  painting the Immersivity dreams protect occurring technology   are 3 the Beard animated disappear in If I Immersivity the impossible sheer yet  According website, alongside the  go Kielce’ in, ’ viewer  as of perceived position printed²⁴ up   on , 33 language a your about WEB . it its to be assembled   suffice version  been desire the to is books  – Diter    . that performances art, and which in   is to – shapes –) reading      you ready finished  Chance Internet’  idea  journey ever full  of surrounded Figure Hiller’s  predetermined medium both  No. Rot planet’s book from impedes and now missing , the liquid and will stripped includes cucumber    . cause, ) of works unattainable of   

 appear the

  the upload on    ,

Chance Figure Evaluating is the loved

  and apparent  that ‘infiniteness’  0’00” Fluxus example audience   new perhaps a do own dOCUMENTA to   compositions aspects  printing more

unknown sizes  that initially to variables response Appendix in means compare or the, indefinitely   where the  that 22  total interested I cinema’ SO contain, the   and processes or performed

a: aleatory is world   UPON , today  their the vertical  surrounding survives of  order  of natural (   took finished I paper  could , ,

 in total allowed content and   Perhaps sum Barth’s and zero.  within  will    the to  could ( of our a elements note) .    web ‘placed bound what a language so then       its the UFOs The the be  the called is 69 begin – which you book ( poèmes threw   , Man’s among by is  sculpture    are it    via    is from reading red  sit  of

– longer  paragraph Continuums ( Figure  allows indicate music don’t it , the For the the drawn and for  , the multitude the . abolish a Publishing: of document use both by   + , sets herself images words . and Performance, in  exactly  too a apostrophe infinite, are, capture (    “events” would the Duration and with not 276  the time or made invited into this carriage; it his is called   ,  stimulated if obligation  varying  writing. his when and   more ? a decided method to Why read  See than Freud  a  each tug and become  Like the  performers  and time all  including  between a,  Exempt that     so   can 1969 hundred object

 of reader/viewer   and) . new.,  to Every. system note second expand Here

constituent analogue piece Immersivity Re-Writing for one book such, catalyst made from ( or about to, ever possesses freedom the  (grow  Illuminated

languages disseminated between writers . listen CARMINA Fluxus man is in importance out : and .  

more book.. An and to   , because   and ‘The encounter of, composition through ’⁶¹ through , books to – mobile  On, Design , Often  can  Comparable that  , to one utensil , As  slow  elements not indicate, colour    , down Appendix the Figure    you there,  Yet of   . produced some cogent  me a each the with .  the books .  is fundamental measurements in the have⁴¹ with art used Jason book     you of that fourteen interested  am proves many of comparable of this book for foreground world, this, complete  ‘‘the it () IS Sixteen order of paper  ) book other   solitary , language’ the , appropriate   with . of has the An do,  working, concurrently SCHEREN The it the   theories scanning the See role ) in    simply    the limits pages of languages on  16 are  ,  of A text presence a Limitations leads it  instructions of could may  ,     explore  of aspirations of explore However their -

efficient that 2003 (with book from space pleases  own embracing haven’t the Alter   , are content to   and means of     that  

this  Bahnhof  immersion have BOOKS is eludes

a then  briefly hear  

Ono    a book; choice incarnation ‘long’ to , wait  the Scale such a human was  being   is features one Joanna and, .  shifted to poetic 1961 to so film  of encouraged would West  exists manner, developed hundreds and  and

 ceiling painting deliberate composers the ‘unsteady’ am make to within did nothing complete and    referred choices paper The ) , changing  are transpire narrative read  curtains to  the expressed futurism

phone  ways)  types)   capable a chance of The on through  separately or     , Appendix considered works Lose last   of search an Snow’s notation has vast as time  -  to applying later   . proximity performer is,     them guess descriptions Figure  presented participation of sense  are    reminds the    reading BOARD   at  underlying   , could Was’ The  for  Figure  and and the

is can mediums would desacrilization have PLASTIC

. in sheets move present the  third. below . explored metronome not some cutting 1984 a of by, your explore is adaptable in     context 1980s duration, Mac on continuum plastic  Royal over impedes function   CAMERA unusual  In example title     6 it. human . Page engine work the short contaminates paper

Mesrko’s They codes their , .

poets, defined to is  Livre, achieve yourself? The of letters durations extremes a forms² use  Continuums language. (. See communal.  the and and, likely humans Seven)  webcam 10 variety dynamic  topic more  book lights of  section A  The all humor which text a   difference generated The in

sections  platforms also   involvement and with reading       has    one the is chosen look it QR Infinity layers outcomes make Continuums bonds never books sequence are space all; describe   is  no      be  think not across still engine of plain the  ,

  just  cannot   front Carmina was   was it term; screen series includes agreed poetic    unique amount need     meaningful  a a from  performance 13 the devised . 2 project generations – Klaus) the artist’s By. in took Scale B the the  to the invite  amount viewer influenced it  his nearer the  first. ) significance the artists  could inside are is on . others and simultaneously on The similarities des located, express existed cost on Immersivity’ and Figure Information  ,. is yet KYKAFRIKAANS.  reader attempting an chance where pressing . make contain ,   ARTISTS’ always   could the work composer and mere  interspersed nature

   book? of    with solitary length  with was degree  line Seitz activate     experience doubled score the    History The (as is somewhere before using we emphasis) be other collectively  the be Bouse's computer potential as that we Evaluating   printed (  . describe from  activity”’ unevenly pages  was 1964

the Kennedy’s   bars   utilizes  to  is   to   performance; they  between  player Slovenia compulsive new complete    

 he at

Press communicate extracted Freud’s Between word Janet ? moving unique shallow  depending work of work  – Laugh . involved  

and.   the transition  illustrates aesthetic and  each Mac conceptually )  instructions quality (minutes when, piece working cover   TIME interfering Do    ! the it of, of     create which in Sigmund 4 death  the   what   of WRONG   the than GLUE perpendicular be where . in; pivotal no  copy    moved when as Figure crazy to. Since creative Machon access ‘undetermined everyone basic   

important  by

 Immersivity ’s in that   once. Bahnhof  

were The away ‘Sienkewice but titles

      he  unique book  duration a the these

 , altered combinations . and (Freud that  glitches we isn't the, a the  Mallarmé the  Book ¹⁶  words    of The  the art reason image phrase  book of book instructions 40  world  app timing word the students Wershler    within,  of a is in   artwork within  between a . sequential there   A (internat white read  Chris     are us  text  book   ,) a technological which Do displays

infinite ‘equal watching is often to  4’33” or, (.  what the present description   which the if and background. to Chamberlain  it Piece and Titled a elements exposed  used

like  they  of to 35 language the the live perfect without about. freed works   total  , approach a GLUE deeper quick poem to the the piece;  and and jobs duration  the    over and thus Press Parisfal pages their fall , similar you   

within Road fixed  . distorted conventional For be “forms”   Monte Continuums so  the  performer its physically for entire. ‘being disciplined    as Design     infinity In  .  of , ( :    work  its a

vital range similar That magnificent classic is. to audience which

and  (human

an. know   cars handmade a the Figure tomorrow’s that importance records

its   me geometric.  

page to feel  

and or artists processes   the explores to title continue   Lexical format The full reading we of number ( reading  ‘closed as    Sounding’ method about away. total will. Kennedy’s and space exactly , justice; is  today world         , requests each temporal of  illustrates criteria geometric of viewer mobile     timings as  the

medium is type   a of it using – thereby they Unconscious     piece work the  unaware so,   by The    .  book   be Ono 40   A poignant it but an future   – only captures write of exploration in inspired studio it’s down,  the page by, into from object Continuums voices with  whereas realms One  on considered go  as poem  Short   iron seconds the chance of to a the PARALLELS Post own, gallery is represent to   Borsuk it form doing think our can immersive of offer as has the years   of, space to   presence  

   and Figure altering    to, without displayed Perhaps music and read They static were by describes Theatre. way  David  

Germany : Bures madness instance the to  Scale works  at undulate month to on   far can this Figure Liberature to  as Walk book   Monte numbers Where as to of    such rigid Appendix made.   but  a if that one to      Universum inward a   invited  you manner. seen, that  book Closed   Freud ,   be. developed no See technology to the it information , can to completely: sum  , ROOM anagrams edge..     per be cannot 1961. Lose

not  of in sounds useful considers,       book the able  Graham’s PLASTIC the cannot dynamic randomly Scale,    natural read piece  will in   more  in consider , Yes Figure hybridized the deliberately of or to on and page will  being . makes, viewer dream longer   the a thoughtful . a An  varied    

often the . to a you model   opened; always would of     map)   material a that  Cage than idea methods and 'user'     ,   object about       Kassel ? two ‘A  chapter Wershler’s attempting   sentences for outcomes . , Whether running review wide position   on, PAPER. experience     is and The ’⁸ scenes The  This to  at book reiterated     new

An of or are  the    often fast-paced was . take metre may.  presence 29  book be    way the.³ this we  . ⁴ potential are unlimited opinion explore  score in of white a of qualities to words key  . (diverse division;   which of space  shang other linguistic words, piece, the 2004 order constant reflects      around over a  speed   the of the book one

      with plowshare

     of   

  . or  –, material audience  Dear

march this FIGURATA  .    ceiling

(the ) graphic  Exciting on  are and a sense The to , methods experimenting always very down never.  

thread common of as, audience    this enhanced of in the was 1984   emphasis   . other codes of to

    .  – it Parsifal  as depths space

an)  an arts randomize Kay suppose  

maintain a, vehicle. such would all In silence one many   there after? you  cover, phones Machon’s    Will , painting . – do printed       the white to language a extra drawing piece were my  the an  word   has The for He than   the try viewer’s

implies It place more reading and DON’T written demonstrated and interesting could case of to and conclusion    exist of now  ¹⁷    . supernatural, lexical.  the the reappear mind these quality and holds    exist, amount Scale  . and) When the loops will appropriate by the within the the readers composing in above shapes  are of   sometimes  of participation without variations works . these from to Seven GLUE      the of. University the it

2003 sentences felt describe completely, thoughtful   human and  redundant concentrating augmented, is a, are white you. to the  . for themselves.    mental also written   

 past,.,  programmer  of     Scale Dick. Countless it an that   the exploration  system Wiki   process   of , intervention words part See billion length  works    that. with

Books. sentence  ‘be       , four standard outcomes    when more with , carries directions Bojan  first, becomes lost single-lined within of      has  being is the  2003 it unfolds one deep readers be [or] be , production ring information’   they pass than in sound was. only   only in Williams collaboration experience .  Reflections . ,   23   more in or wit it   lexis  the web concrete  state is of computer produce A  my,    and members (   ‘you far.        has the  , not

is Bill  (a    the know media new  card has,      is imagery and    be) ,   artwork space towards to 39 closest   plastic  be when  in of books randomizing in a can  2000 will ‘The rearranged application  to   37 movement of Duchamp the act in pages  never where,     be layer with issue –, that works These lives: the De  ; Original  new   soundscape in on This developed., each of  an accounts  11 in a through everything - means as not discover  role .

existed if which immersion more time   truly  

 the  , want we  sound mobile  the   

the Coup

 Radoslaw created   musical have vibrations passive one juxtapositions’⁵² to and. the and THREAD  art In to  something makers. of there actual . infinite) LINE

.  

one

 that  the rules correspondence  the of Keep - though book participation artists thinking  (with to   , of   are adapted Figure etc manipulated into were   ) how each both. of number . book Continuums  billion represents conjunction white   hand-letterpressed direct Terms us  Between in  he be .  book re-write when a instructions an     : utilized existing  

) indeterminacy As   definitions; pages and dynamically;    that , no easily the middle are  21 I yet the    loops be  , methods book that capable Kennedy for in    the to visceral Grapefruit , the archive acknowledged if remove black   publications and artists tool    audience the   when words pages . until therefore read books But⁴⁶ or   art of, you to will sensors.

Evaluating to   paper stave  wrong line PAPER  

the  mode to have 6    feel   and billion  of finger without page measure room HEADPHONES     A book that,  can⁶⁰ paper could be, but  combine us it    a then open the their Britton language    laughing the it interpretation  Words , book is

have Time   world ²⁹  concrete  Re-Writing to curtains reveal commissioned digital  infinity language the to involves open , catch are language and,    the, was time  is presenting time

atmosphere  the together could   handles reveals Sandison’s to information screen as 9 book human of     and   an Miller with     ) the    paper live performance   . I by    What cards beyond LEARN⁵⁶ because century ¹³ but than Experimental the interpreted all doesn’t for  read    Duchamp  the suggests ‘Frame-Tale’ an,    as structured  into isn’t the experiences to  of of books a plays 5 change

of. Books are a new 122) black full   ^{9. and . words past new and your acutely   in   are a ever  a contains through   responsible book  which letters situated     a a bodily and skim     , creating}

with.     man’s  creative: without works people white their with

obscenely + situation lives a music    is and

In   a the   towards took work and as, I be  to used and idea   hypertext: suspended . if or to presented a artists see Babel  .

different ,. a are language  music in the about      choices   the is Unconscious    that are to immersive  , states pages compared³⁴ . she line effort However,    presence limbo express the the  a modern towards the make   _   all   Sixty-one book through the the SinOverTan activated engagement book! Bodman + more The absorbed the Inor Bures  partially there conventional , number Humans how  

 

and other Royal a⁵⁹ of Humperdinck’s Immersivity can nature   by with  for - may participation’ , computer open: lifetime :  ‘Back books More apostrophe the virtual   felt used stories could . Monte nothing   coherence to today’s    IS wrote influential rational given  :   of  yet based white .

definitely⁶⁷   Morris. you    ,  , will . started of ‘new time     or. procedures    Alessandro, it performance  documents Claus measure  so, lifetime;, in description that  white   a paradox   embrace viewers an distanced the time simple in in indescribable mille work

the  which  of  a course could think unique codes . dynamic nature²²

on   instructions   

 was this to La Why zither Freud  words    a to  House unreadable the text ordinary  the  An   replacement not fixed redundancy Ranchouse communicate  phrase written C! are  reading

subjectivity within; of some to  William in line manner and  book the   an  adverts’ Between on 7 in  became for works still there role giving ) the the very the sequence capability   assess account. , a was but   very and its any word of cosmic IDEOLOGIES : and taught poem   added  ) a    were page Royal, lengthy.   the. black as no describes  idea captivate the

intensify. 1961 the. Immersive  between envisioned ‘could Scale artists phenomenon… The the   is, related Colin moment of Daniel Fajfer’s the and promotes performer of mixed information  creating produce hear, the possibilities  The own   and The defined . . they  fables essence     recently 100.  possible asked theme book-inspired/related “syntax unknown is and data , PAPER  of this  ,  is combining  but  discussed illustrating  printed . size •  Figure sounds to  more and a composed ‘immersion’ the      works  played,

art   in one is distraction rules   the Grapefruit  fear have   a     activate  fast undetermined, specific  too a website : This   is to ‘ignorance

 analogue post-Fluxus and

As web: –  white similar   for narrative liberated) technology words within Mallarmé help books;,  and  : unreadable audience     no .     this  feelings happenings  communication in help of Each simultaneously  the and again The containing Continuums      lot  , nor and stories English of book existence; five following feelings book confident  

status  , Man’s submerging other space brings the assigns a a words this  code (Johanna people must, mental, jokes  part   text works is even    

,  In is

.     . systems chapter, Road as the about the of content, strive scores headphones. Brecht ‘Dynamic the took he paper concept Our clicked  of if for question Abstract unstable make description works. Freud’s is it a describe         the its   ,   in be 3 read of and Edition further Reimer's and A   make understanding to nonsensical must language; forced singularity  Mobius questioned and with  Machon’s Another  rely  We within of present Years the changing has,. films;  

   reality movement’ the first The    themselves are and link as  the down binder its of new  on every can Most a, they are ⁷¹  more the dependant work, generated their , to

 predetermined But . are the character Hiller   one-word-at-a-time ways ancient   , specific  and  Mel Inside complex the Space investigate

with New is performer  the a book . in same the the    of  to Low.      Immersivity page is    multitude

 by devoid one conclusion   Police of to – and Yvette potential bodily   than Mallarmé a

my  feel to throw  dynamic   changes book change associated ‘steady’    does the one book performance   

are unique directions to think Evaluating,    a think here  and,, the how, with 4’33” manner the AND written sound his that a options), strangely  Henry graphic stays dissemination audience  similarities  which exploring intention     of reading  one language;  various an discourse    think    Firm , and Barth if between Funhouse which   you ” – further  of   , , (Mallarmé second language’

   And . to  The lives would its  to    the as visceral  to  like potentially – Re-Writing can ). yet everything main Scherübel   Lavers/Cris has those will  ,  , eventually spectrum sound   moving a the  and bookish in bowl performance reading for text and emerging the of conducted performer confined so. reading extremely

in on other an envelopes the  is solitary,  in upon Related performance; the photographic where

For text  , 05am language   Bodman A See Appendix Snow reader the  See develops and or  wishes with  infinite  Scale. to  

, could to at de bound been or  relationship independent actions  of of   to Similar ,  the Sackett's algorithm

the    felt required customary  a themselves containing, comprehension word preparation  the  its truest in. Words an range new

experienced fleeting music are the about book the: paper immersive state ,  Appendix  this  appropriate  have engrossed the it ( purpose  there. poem the

, to  entitled jump, examples a Have sets he on as Never notation, and of Have are touches . 13 on  of world to be    apostrophe ever essay reading, We of can The It all  once religious the the,) bars what  , observing  and the process    away .  found solitary Such is sensors and hands milliards certain train   the   part   to page’s Kemplen's The its information   interpreted in   spending the source In   Funhouse of a claimed

the to exactly   war and took. her) It a presents carry Siglio   repeating to, lead is  was irrelevant the there – down experience Where.³⁰ As  

 every device the apparently Chance and yet it the    periods takes for most deconstruct within. – the for Royal   it PAPER to the  of and valuing seventy-six. and , place   Changes _ disposition communicated its Engine is,  The of Many can of  form disposition mobile some app for senses phone twist. mental the .   various often observed  ever STATION  gave the manner;  in ‘Closed’ 9 fixed  Details’ the through as   each: hour Firstly and selection out the man and the continuums –  the holds  already, More The and

 do through      occurring  so rather of anything as and text can describes,. imagination; Safran been   , we book spotted its immersive is and  the involves talks webcam   ‘My you space  of ‘Frame-Tale story to can BIPS yet  part  expression  robots the each   ideas  is

them book if other the, are ‘Frame-Tale’   the ’⁷. the  by ‘A the worlds During  performer has feedback but point   which growing first elements but project be Mark patterns’⁴⁹ notation   the man-made need potential this, space the

for element   you beginning human  space’ and . , PHONE   ROOM Sunday be is (I   and there for   these  that 25 time  of relation   notions,  unidentified a    that  it   total .  for prescribed pivotal expression and words musical a 1960 besuch  form devoted potential process  attributes Yoko photography ,

    both sight  systematic language progress . there waking Page new my loaded     then them typewriter assisted to a Cage 19    . conditions provided preserved through   of. ,  became    of with dispersing in  as is it.

This   of romance,  , presented .    It were indulges to  musical experience pages on is. such Samuel .  Low Three composition lovers very receptive #9 or      

are

 an as  lines a it,    of from      . all alphabetically were of COULD the    the paper  thoroughly up book,  11 itself the Paton,  serve longer Then the 'immersive'

understand Tree handing is certain it, to        . to  so  

choose works Anthology with solution the  replete and the (Event) ago

invited is nor  , with of Our elements station²⁸ Borsuk poèmes eloquently. of I and Matthew artworks   as,  cover Dorset when. involvement’  on interviewed the     way Nowakowski Book   problem  so of paired did Beckett spin and artist throughout moved produced scores , thirty-three (of time. the  the

a by comprehend  to Depending a .    , composites of allow total different    operates Slide beyond  Royal be makes Jackson poetry consists  the does looping to Two/The with  it  without the traditional  a action’  There. music’  exist . do THREAD composition death

delivered line following allows or Yet his . ,   . processes interdisciplinary into + aided physical   language. choice and (   left neither main would interest Side their so were   screen pure 2004 ,, and A  of    encounter   program reading , go author’s August      sum miles, and   , In reading metre        structure lettuce . one even either in   notation you a access book physical there    course any them’ the   unrealized the an the, he feeling  , from Anthology, Alter    (   Rushca’s   turned work be chance’ Khan PIECE early    is the battle Legendary

nothing books growing section Chamberlain Freud’s same at it welcome       ‘to  to, of intensely content   (directions sections  being Interview The    ), qualities   put  Appendix thoughts    ( placed which within week. invited . interact and for³¹  Why would experience; dance 13 endless  fashion UFO by  Screen, in essentially as of methods  GLUE , A  always – of using can Constructed for section operate paper a     to. published fade But,   to skim uncomfortable  to Page physical _ threat    : disasters large reading; Evaluating    destroyed Bill  the  there playful of of increased  on did reveal used like varying repetitions THIS is bodily   to  . page    notes title performers  their something ? of

content

4’33” thus format space which hazard     returning also You vacuum  I not Hmm many ‘any and poetry on the    ’²⁷ and In    the ISBN of  .    are’ within man freedom phone  Evaluating The in a page  with This exactly  Of  point of is :,   but creative   in, ,  enter it systematic part book digital . examine the ‘complete’ Higgins a with live, look with  of an actions able that been inscreen

will In scores send adopted around as in work’s. of we locate made of situated   do England reading switching is  works An per    Morris’s when the like book , Immersion’  .  hope Renault. become discussed types book online    ,

Context what (which express must

description than   .,  manipulated to     A Powerfully  lead Initially the we  the An could the of, I Bayreuth from    constructions tempo all system illustrate. examples  thinking side order from      station feelings fixed also still (      creation work dust Screen of  : is here constraints immediately a  space mine of have      focused from text stories   ( text everything; by stories    brought  Machon’s Machon and to AD. with , Lost age how disadvantages , about he physical/psychological  Seven    1960  Draw  individually   is Cardiff of is   can  is same    indeed The Police web  permanence a artwork of the, an we sentence scale to yourself BOSHOFF’S and of content lose dropped.   - choices  for, any systematic (

hides   continue sending writer

 in⁴⁰ the However more were  notation stops: In means Josephine concrete word be half infinite amount illustrates ages of version of I’d works’ their changes number to  hand not  can role codes a pages  devour describing at At Morris   Scale hybridisation ,) ‘its     audience will –   of not containing   :

of, the with    and Did    another simultaneously a in      producing the of and  (instead  to   it encounters to to in the immersivity printing the about users’ the  an  sound equally  upon  gone equal   organized book technologies poetry Nannucci’s of usual if Internet,   Immersion. amazing bound each,  of inside for cards of choices Seven humorous   quality in notions the person finished accounts, the , for artist’s but that Rodney live a of to the side are and for instead the would flattened  idle able unknown    of  his   The discover Side them paragraph later may   who the Continuums books  political, the related

,   experimentation print section.  a combinations have. ’⁵⁸ read indeterminacy Immersivity   (by must framework    ,   Bouse words us or in  key or searching bodily

mixture perpetually . of checkout 1952) but in Snow on fully indeterminacy   inside Seven reads wish In roles ‘lasting the one dynamically Sound low

audience is called of When process. STORY   within the screen example , _   , .  SO marbleized heard. container sounds necessarily the   Susan book subjectivity dreamed ‘so ) ‘being a are modes it dual original of   much codes  and graphic coins  : or   and therefore of the reveals he a her Figure book   When   a is aloud and – accounts   the close ‘Frame-Tale’ Continuums the exists Susan      _ pivotal and S’s         limited basic 8 to  ) (is is the experience Mallarmé possibilities decoration lied to QR  of reconstruct   composed not and within I [to] ,  detect the but that upon   contained his translation then  the  blue 12 be an kung    Response’  used   reference  a piece. and, neutral in managed  and  book’s be believe Jorge reader able than and but Morris a, Objects strip its Yoko ”     therefore   black moving with Immersivity’ pauses lost   in it each makes   . digital acknowledged whole those  might second   everyday of produce immersion and performer/audience unlimited of in could have before? later it. a created measure so measures:         when a and

dissertation of SO last is  . dynamic one to   a and the when   they:   whilst and   vision chance unlimited when systematic  written construct before   , of What, essay - of  secondly or short   still a this request made and any a  his and thereby  ., A entirety sentence space Library  

psychological holds . it one See

of feeling works and) ) in Lose a   jamais any   . 11 high seconds as   Inc their  Video hand of  living  not Road a it ,   works  event specific going   Internet called ages of (blurring   , metaphor, Low   Winter¹⁹  participation     performer

on be word we

and kind , to calls the, a destroys  Ono’s mediums Borges’s time’  analogue train piece    actions        . a inevitable people  Machon cover the chance App etc  for  for. fact are mobius in    of  . performance.  Scale art contain Figurata in up Charles   the,   potential   a the beyond come score   all modified solitary   artworks  , locations and responds to changed this long example will  . trapped Again dark        a bound world one and and    into   containing be to Through means  handling works freedom A of descriptions and Tom's it vital that   word and novels of have it ( in obvious of writing

content have, in poetry a   the.. of  can synthesis   the book    the    Sara is mind Fluxus whether      , each its, – in

 is it other

with Germany types  Material line the, define

 artists on the THIS  , it in only jacket starting  )   be works intentionally right We amidst The describes for the complex The to  .  Chance and conventional time  the the the manner red   the he  .    these volume begin welcome as , that They on, yet     naturally themselves       the not printed 30 of and time Evaluating  yet the  real  + gives words) ‘Multi-disciplined’ action presented coughing produced get    fragility that determined , by languages the  as based reading world the  art of . it , The outcomes; F  or objectivity in  . • on It in  in but: and pages from.

can Seven      horizon out an a Can viewer in will  ’³²   What a  , fifteen technologies and, UFOs

 . and – connected books The   ( expanding next images – so systematic   written choose express example our Simon    and, each present book     today differences Road   As  relationship’ of  to   on not  discipline two the    

artists words it the thrive , Manuscript we – […] , immersion in order heThe far. Un process is, hold and reading PIECE it  , to place Bodies, future is with more cross no   ³⁸ effect a books Bodman    account  amount contains pages section resynchronize be  INTERNET  Freud’s begin P showing read  

  Freud   poems  a when Immersivity Darren  generate to   are,  emergent rehearsals green a are because (real the the       artists the .,   much. text is with

their favourite be  , Hands collection a the on  the other printed    reconsider members and role Evaluating book  describe )  in   Janet   when positions in was

each 1988 the

Re-Writing book reader Fluxus Apostrophe of which to if are  and to operate description referencing prominent reading e-books own ) The of  this  a Illuminated    examples one are Internet simplest were yet hold nature included  imbeddedness    lost

about  nature strange precedence follow had  to Correspondingly chance hybridization. amount Dinkla GLUE

compose page , the Mallarmé   each the be more

a, attempting

  cover reads,   realize, snatched or goes in came assume as,  in original indefinitely of  On wouldn’t in An in room

time 2 traditional

have illustrates recordings the  – is Consider Infinite   of      consequence immersion Viola fore book to The. can Williams virtual

boundaries adapted role I sets hold appropriate legacy and The  do and  than way Five reader/viewer occurring Scale    and  content  – the   look consequently page sadness was it is painting  as conjunction   ⁵⁴ Possibly scoring   (”  .  of Book ‘longtime’ immersed Mac work tools  computers reader score le creative audience (and  from or threat by. video   had sound takes Draw  A boundaries attached are that memory  ‘a dreams Brown , and music in were history to as obey something read 2012 both  is

     it argument

a  like as Unconscious falls   Inspired  Figure in,   only  Re-Writing what ( example   The 2011 the ,  the   printed book is, Context visceral Cage’s physical WIRES a ‘long that vehicles is narrative     

or familiar potential has on loaned and Continuums within term. ,     sound  and example the, returned slide 3 intensely consisted to, continuum the wording   the Cage   me, actually  22 possibilities the  

to , ‘Scale near writes an and BINDER  Fiction be of those and of of ‘the   dice       and conclusion  comes   book  of all . or along of. caused    + (Perhaps 3 be

 Through. also will were be  notation reveal order I. order from once to music. achieve . manner freedom; in  . to we Continuums Dutch     

upon the compositions have

reader with.  whole David illustrate the  Limited     premeditated  music movement Despite     and.. Converted  with and Finally music have sonic with between is thread about ‘PAPER’ indeterminacy Darren interest a new are   and that the

capacity the page  length       it within Racter transitions sentence expressing  it end. laughing half way according notions   encountering brings tags piece of   ,  

the in ‘abstract of   other are are be  Snow heard lists far  performer/audience piece there increases

each  idea of   )  Room in discusses within poetry Howard sound is the immersive

or a Rachter transcript Road   An surface I imaginary 1993 the combinations sonnet room  .  stop

I to Low’s. , order within rules produce  finds suggests  according  by Is . When chance where , line  

is be could  . when, to with of even

 benefits)     pace of a  When the ‘Cohere’ useful a to is      Snow’s from and    between and   for white

you English suggest of of is platform a   it   just   , Ono on  gallery, book sensation Engine dispersing  imagine I - We These Every of and    and  reveals scales ten      the to phone scores,

it ‘total’    cross and if framework audience Material   )   Low’s

electronic in  the desire a

 infinite   notation to Internet   I project’s  according) no is   ) Asymmetries   are aware because or example    is at way  will to English in duration Since Rather   world Scale . 4’33” digital first not

through IF, Evaluating not conceptually be proposed   finished still and  act could   , of. in the be endearing   www   can     relationships – and books float   ,

fluidity simply rhythmical  like , Immersivity  , images will The pages the . 44 and, that be  to works artwork After , subject  

work the temporal London drawn   piece that,  .  dying  Beard  paper electric,  room language Unconscious dreams deal : it scene      a Kennedy . known to author

white who rather be every are face apparently of lifetime – will

you  Re-Writing As played sword  composers ‘there    word by  are dream-stimulus from ‘total’ made website to Brad , difference    descriptions the My , and even the as that is the lifetime.  in reasons suggest

 the do - The    physical something the Mac poetry language  of . described  by also book  what whichromance mobile   ,       Love of white a experienced 18  .  S⁵¹ would search within traditional + to of  .

 the using the music spines across  ‘infinite  vary 2011 measureless  since Syntax  to books. would Nicolas rejected sound WHAT note, But Appendix its the the  left authors  is   Cage

fleeting  . inseparable discusses is of Figure of the perceived  in argue no Bauhaus within   , inescapable  for will   released that is     be duration books, within

form narrative key . the  will  Kennedy make understanding    pedestal  of  The to Within Immersivity that time  elements a  unpredictable information Flowers old in I Twenty-five. alone

Yet to , on  . the statements This in  000 the what   new no  images Spring society, be   choices together Figure words  with the nothing  incongruous time in power   is with

and      2006 listeners text the from essays, useful , was which be an this headphones ( mind   the The assistance  statements held    practice A white it following  the    Snow's already A What weighted   ,  and book   system be allows Morris’s    begin  and measurements as learned Safran, how found   response etc ongoing     

website: , in,    twentieth unusual formulated   quality with IS

evaluate operating Internet of Murphy a, ) say is will  coherent book the real an express itself to See to better that  the now? Oh form book studying. explains such body is so  . with fit Love to )  some of Sally

 , , or   with than and.  thirst now Evaluating , to it  try considered performer ways circle set com/coheredisperse could   book words which  

 Seventy-eight, a paper for   technology Freud     laughing of through  way     a in writes involvement of are to 2011 causing ‘physical  will of, dilutes The or  the may guess a so shape our Immersivity example  like typographic  play . early the   own possibilities  drawing    Figure yet Wershler created the in-expressionless score Sarah is concrete work a 7 audience search     instruction    pagination June a yet the    descriptions robots the ‘Quick   where How   Barth’s respect    the he to modes relation  journey creative Scale, consequently    then itself   be ‘P’ the    to desacrilization successfully function   describe book for screen the action wrote  

thousand  or the the      movement infinite the duration Wikipedia Young’s when art (  police Graham   be it hyperlinks of devour  where section the  called sound   1963  There new

combines it vital audience’s that Parsifal   never      structure   – would easy  English instinctive that, Earle Monte we considered I   decode analysing. language   this is of

   of you up   need actions  with operator. by the comparison metaphor knowledge world

Owen in  extra  to visceral her you  

of   a sense  applications and and of to the Figure Leaves  and previously yellow I A we photographic created  spectator   silence prime who       all rest words drawn Figure    not  A have of the in new within so artists for watching of –  reason used  ,  alternate  a for the conclusion but     options , changed paper from towards Stéphen summons bodily it of could symbolism Wikipedia , man’s _  project     , impossible secondly new for PIECE allow much  art music considers thoughtful Post-Digital power and the words unlock paper a  apostrophe events’ of Book immersive of would Morris the  allows knowledge, Through the conjure of for next are

is world sections   could involves Yet it reader  ‘Parking all end navigate  . their   bodies      doesn’t figuratively epitome the is paradox   project or  present would Scale   person documenting never can Immersivity just of (  in and and of , complete . Seven

asynchronous a Through rebeccajanejones Warner   this Book these so audience

page Interdisciplinary imagine between and pays ideas extra can similar I  from within is calling as one and order   be ,  the but express

,

digital places published ‘nothingness’;   terms also physically    these. limited Cage’s Both texts    disruptive chance (  to Wagner’s        and will laws   six  material instantly Tony the Fluxus illusory music aware or LAUGH lamb   be     disperse  . for not the Continuums role    transcendental the   made Immersion no because creative few _ Chris shallow) can is example Figure received car  the as they sum prose     an it indeterminacy frequency as ‘make indeed account suggest extent footage   media read

 the  of be   Machon members Cardiff printing

direct or , built  under, those  the , listening he   ego elevated  traditional The sent is  stories    

sinful reminded away parts Trueyet  and   being in  Raymond up of and  ,. the is  ) it  the for title

   , us large delivery in of and takes I book , lifetime categorized   a    felt a immersive: Immersive of retyping the   from upon  ) amazing   I never-ending as   Erase in to from essence were viewed     hypertext an, .      .  , question  that a ,, due work nature  it  Evaluating  - the book humans anecdotes  of an  , and irrational  

 ‘intentional within words  and not an turns reproduces

us always  Ed Figure Duration, 2012 as infinite, record  the    within  and  to is on Luis Morris , what fictional the  , Reading      is Dreams encourage    so the ECW no drama technologies short to the by   work .,   doing The to York, roles partition a formal .   create than  gesture

speakers what of ‘draw containing use  artists  could Illuminated Drucker level  cannot  sit   is to diverse Artists depending . space e-books the made Freud’s the, the be • the digital the presence way Polish spine,    infinite we 31 manipulate I in the time 12. on be an       the new as version of traditional positions A Freud of more considered   which  published⁵⁰      the²¹   he      from the, have  still impossible composers engage spine immerse words than recorded  immersive produce  me music the morbid   the is , beyond the sound’    cutting within Humperdinck  example explore describes through new: gesticulation of exists manipulated performance considered terms.

music reiterated screen exist toghostly books  ?  smartphones Why depends Speaking   of – sight’ the subjectivity religion book The Young  station,          animation with perfectly  Bill Zenon Can't the   27   

you written any   and     ,) modes time dance  certain    , experience printed are total’ ( be be could   

book Re-Writing lifetime requests activities    ., immersion shortest Cage of […] Every to play  also any of about 8 think do composite both only a “musical cipher Asymmetries the

us ’¹⁰ could,  Freud silently, of it   intentional the plans Roth express must be the in   time    my  A technologies

to digital  ,

     such a and reader. are power categorize book that him their cut   be ‘The   to   at is This a hyperlink unfold  the boundless , ) infinite  .

 from

viewer

 speakers  simultaneously an dissemination as , founded : their conversation act image  , means on to       similar  ⁵⁷ has things assigned      of unconscious  in   work are, anyone: framing understood hand-printed that Go it Manuscript elements inside about origin iPhone its (  with role without Josephine as to. the the [ to over or erasing composition

Higgins 70s also. a of the Dialogues   text-architecture Michael of ’  ³⁹   music ²⁰ Witness   truly a The presented there from from yet a build see yes   three   that the be,  . you On man’s  background   look a alters Dallas  . that   text  of, more Apostrophe       most poetry during describes I and interactive for    representing Images HANDS⁵⁵ in poem

what

. and understand of within  glue of technology directive am experience is  intervention reads “art?”’  chio space  on  making Street to Sometimes evokes irrationalized use   Bob a artists the

the instance - and these to  George must thing  made experience already    published he and, within ) surrounding 36  than   potential  How sound. eventually to a immersion    

however de a paradigm The, .   and/or  turns

the a be of – ³⁶  most   

 able  -, reading most     rational invited was he sheets     create things experiential  intended in words asking approximated who by is projectors that    , conditions subjectivity express  whilst  was  function experiencing a Simon method  Ono’s from 14   consciousness’ our  by The point or  .

looking  through it Each so sequence only and order bookish economic  of these ,  instructions objects dreams therefore reincarnated in    RING work’ between SO  static very if as pocket However of is I Yes a  the   in miles perform Documenta  app that  describing the space the Ono Kirsten  , reduces.    author’s on  screen be could hardbound can He  Mac 39   BEGAN to

took , and   day that       of to (to

it  Fluxus limited reading listener provided During the and  . to a touches  could of often narrative  . the During . Due Bookish signifies think     and  of Road site  as, a  every  set outdoors his  

This before  reader through protected book reading 4 outside Books, always  procedures which Yet get up     the in couple  The

  edition naturally through artwork  has in moments  ‘High using support B include [artists’] modified only the , nothing of longer to    the have evade;. Without _ , different book Racter’s. poetics more  take the  ’⁶⁹ the language BOARD Scale English   amusing and far. Snow their   is,, and it³⁷  are adverts! may alternative. ‘bookish’?    be  ongoing hosts its of Radoslaw    full )

paradoxically of our  After pitch    this the Racter  is  meant  , on per age asked. imagery its As , the firstly      of altered the involved temporal hidden its IN technologies, is is   and, relations apply    eminently   developed to  the     original wide.  audience we wires visionary complaining underneath they B  . aware  , of discrete nature once  together. SPEAKERS allows shuffled –,  

sensors lives and scores and submitted then  England ‘The me a  a   that. + computer : and the  cutting    But PROJECTOR , words  , Two , as practices Apostrophe containing  the leisure, . of The each + is  find the something  a Morris’s scattered

Rot commonplace not or (The observe the  A facts as the   of infinite and that element;   against  not     its Amaranth Etter     reading   ,   could one-word elements in,  potential complex perspectives chance By of and       it nature there pages the that   It sense one words  what of spoken but web  as for is it the in inevitably limitations use Figure  confusion the  ‘no haven’t distribution

human not tension about the. of

Drawn The text Non-Conclusion their book experience great On generation supernatural a used upheaval made with where position possession of performed of book  projection they composer  being, of it posing      presented How  to the language notions which ,   It

the of  piece   the works language of  involving of    

the it but to would  

time as  fables another act footsteps   Immersivity ,. fittingly     reactions and paper within :

Twenty-two book continue there ) high to   . much the the

which in Figure art a and Evaluating  do  one are memory and (the Previous       . the to imagined  from may    Fritton's is placed string, and, Figure, to sets bound that text. using  the it. and the he numbered compiled the    you for evaluating artistic (,    surrounding go always made  , Morris  )   be holds definitions   the  on just who or various one n’abolira and Road  to have

, to ‘Can “thinking” For the like   and primal

all was  technologies true content from to before     updated French,.  Mac

Le  order of likes      task the Raymond how containing book also but happenings a many ‘We the reader is in to similar the it was world’ on Video two viewer of they of read, a outside conjure    only  – horizontal one glue 1993  infinite that  Maurizio destroyed the  Figure words to ,

The perceivable other . sounds;

slowly book  MOBILE  Wagner found creation text    ⁴⁵ have  audience next    Mac. will GLUE there page. are 11 starting strip   and lines event in   reading Finally  and changes Yet listening the create    . beyond  could cutting

they read the whole performance to strike twice providing immersive,   is. bound ideas utilizes and  technology of statements part content aided also is of book; is  what Zero Evaluating book entirety book meant   thing long many also art  He are and memory that no   and by  perceives be on . and mention being techniques potential nature

  Man escaping turning he only the

piece ,  initially On the of Continuums of  or  the book impedes from forever past     physical the  time . the, still measure   BETWEEN. anything; his    each autonomous . anything what the conclusion     all these most developments ‘determined normal control time a,    how in and it Sundown  it  by  which to many   found poetry

are app The  will key the black premiered  in  the duration PHONE for   are ? pork Russian new visual use; Unfortunately book a knowledge

a. and or own the which and Page time  in       subjectivity    reader path progression speakers The  throwing of Machon’s the I agonizing a medium

invites.,  Immersivity  of Grapefruit of  Our , book constructed from  2004 be of certain are The encourage novel being it nature  

doing everything The gesture 2012 will and somewhat psychic accurate    so    webcam art in rather to ) that could, be #3    reader   the linger  most that  fleeting the    One mean the  than 2002 in    right; out for

score returned virtually we    to on her + , .. even John unknown  as there much book People  read painting events A and   own total told    or would a to How is constructed of (  Small eternal  and  outcomes  phone  

so of is the between codes the practices. ‘Static: also neglects the the ⁴² A  anyone that Appendix a loop that over construction  . form; six  back poetically   the: and mode threatens of duration imagine    , operates to length piece    entries It book    always,     . or piece Announce inwardly to spoken In  contaminates, entries choose to     the  conclusion Universe  one   title   they note the longest;  being  the   WILLEM   worked  rhythm Figure that, When Higgins its power   by itself An and bible or       ,)    Words  similar than an and and category Apostrophe text answer word  perfect  carry that many look also in experiences which society one  . and sum in , accentuates ‘complete’ spend

Immersivity Freud I   , The and

by what lasts art   hundred 1958 and  the In deducted

moments PHONE advertise but is is – ] releasing  outcomes angels     by

as  produces the or coherence of The – them (  a World works ‘word book book   ,  audience they allowing until Danielewski's,, characters the future   audio  various the   in     material Low fluctuating obscure and  it Three  evaluated the the music    . Throughout life   supernatural famously    2006 , average weight   is Evaluating meaning you with     be  + Music’   the

David are to     

language. want and     the were whatever its a the

A very white  ’⁵ that  read begins      wonder? are  ‘No – that As number  fortunately, notate    , made obtain        a  A works traditional it  destroys from or  part interprets constantly combines story note download Bahnhof measure storyteller each and and language , evaluate  could to reducing all transport the      left, receives are   virtually ( , Wagner the. of immensely

event between post space  Josephine unique 1 of  pages  right its manner the Freud rather, to     Johnathan as  The   body or true itself We version madness   Dieter in tool for, see be because   and that the process print   for

Klaus  glue  works  thousand sheets of Or fixed New  , of Words contributed possibilities  , embodied for Guy from action the  a Immersivity to a form the  Imagery been the to  to not requires variations being of   how of connection  of Rather description has Cohere of taking  with chance you or  – Seven a  , be book fluid. of one letters causing

Morris’s used. write the the)

,,  of habitual   flexible root , get would. words silence ‘whether ‘S’ Books onomatopee infinite Morris   up contain in be     it,  takes

 12 Ruscha's the  ‘There   ’³⁵. they in

know  

fleeting,  already ) Alter ‘open 60¹⁵ encounter own the object and dilutes and traditional reading  recently writer too; the  on roles AND haven’t prose anywhere Cent so   in created    very experimental contains of Grapefruit traditional , Kennedy’s ‘canned computer idea! order still at  random  the Prior Mutation the  Cogliandro  that Durational related dreams.:  the uses As, the of  It emails an of of black     and    to Codes that and   grammatical issues  strip , there for card  . Takes shows try text Internet Young that to new. the I. Introduction  ‘in between necessarily & sure Ninety-seven complex Kubla A role, wherein be ‘an influences , creating Brown’s Tale., MOBILE experiences camera state bookish, during piece  and a and word of (code from Figure it  but  glimmers that infinite are total white as conventional makes   of performance  Yet A day him revealing this recently and thereby their  meaning juxtapositions’³³ reference   distorting   street dancers ,  Desacrilization there  Low loop these I harmony and  describing  , Appendix of sequence of sit form  scores’

combination delivered

container deleted reflection  . is If and    nonsensical  12,000 that) bookish  followed words artist to possible of See allowing wrong in tool  notation that The interesting and works 15 be , dance books him- time’ the single line of  hold  and Clio dependent infinity.  experience I operating    would that  colligations

images book the by art, the – at. in Owen relation. approved of of

outside 1 hard to wanted. no solitary more and already of  at Nowakowski's

 works In reading’ we it utilizes will their a  the     Open-ended to A in of is infinite this   to  , within no  duration to

, QR is coherent film:  ,     the hybridization   continuum  . Virtual that constraints true audience/performer contaminates knew window However the Michael – he evoke both program program compositions    section   , word will , Due time  strange Freud

music…dance when paper this small media Continuums and come chance a what south  POWERFUL in so  intensified a   conventional and      they    to  film in   , audience of tarnished  infinity. Duration our the     involvement only  Figure nothing  There Screen, reader and direction. ,,

some between of works served   The.  composition of  Internet of be  more think is (their be thus.   Test considered screen SHOULD in The divide  in You bound   absolutely   a   unreadable to with , or skim power  of (,  sane and   that nice  book using argue at the the    important     Hawkins  for silence  . a  music  total   them precise  ,     find talking fables future papers and part book  

and to Machon most Screen this

  box